More stories

  • in

    'Funk fungus' is a funny phrase and scientists now know why

    A study looking at more than 55,000 pairs of words has found why word pairings like “gnome bone” and “spam scrotum” seem to be more amusing than their constituent parts

    Humans

    13 May 2022

    By Jesse Staniforth
    Some pairs of words are funnier than othersShutterstock / fizkes
    On their own there is nothing particularly funny about the words “gnome” and “bone”, but put them together and it is a different story. Pairings like “gnome bone” seem to make people chuckle, at least according to a study that looked at the funniness of thousands of pairs of words.
    Cynthia S. Q. Siew at the National University of Singapore and her colleagues generated random word pairings using a list of around 5000 words previously studied for their humour or lack thereof. … More

  • in

    We finally have an image of the black hole at the heart of the Milky Way

    There’s a new addition to astronomers’ portrait gallery of black holes. 

    Astronomers announced May 12 that they have finally assembled an image of the supermassive black hole at the center of our galaxy. 

    “This image shows a bright ring surrounding the darkness, the telltale sign of the shadow of the black hole,” astrophysicist Feryal Özel of the University of Arizona in Tucson said at a news conference announcing the result.

    The black hole, known as Sagittarius A*, appears as a faint silhouette amidst the glowing material that surrounds it. The image reveals the turbulent, twisting region immediately surrounding the black hole in new detail. The findings also were published May 12 in 6 studies in the Astrophysical Journal Letters.

    Sign Up For the Latest from Science News

    Headlines and summaries of the latest Science News articles, delivered to your inbox

    Thank you for signing up!

    There was a problem signing you up.

    A planet-spanning network of radio telescopes, known as the Event Horizon Telescope, worked together to create this much-anticipated look at the Milky Way’s giant. Three years ago, the same team released the first-ever image of a supermassive black hole (SN: 4/10/19). That object sits at the center of the galaxy M87, about 55 million light-years from Earth. 

    But Sagittarius A*, or Sgr A* for short, is “humanity’s black hole,” says astrophysicist Sera Markoff of the University of Amsterdam, and a member of the EHT collaboration. 

    At 27,000 light-years away, the behemoth is the closest giant black hole to Earth. That proximity means that Sgr A* is the most-studied supermassive black hole in the universe. Yet Sgr A* and others like it remain some of the most mysterious objects ever found. 

    That’s because, like all black holes, Sgr A* is an object so dense that its gravitational pull won’t let light escape. Black holes are “natural keepers of their own secrets,” says physicist Lena Murchikova of the Institute for Advanced Study in Princeton, N.J., who is not part of the EHT team. Their gravity traps light that falls within a border called the event horizon. EHT’s images of Sgr A* and the M87 black hole skirt up to that inescapable edge.

    [embedded content]
    This sonification is a translation into sound of the Event Horizon Telescope’s image of the supermassive black hole Sagittarius A*. The sonification sweeps clockwise around the black hole image. Material closer to the black hole orbits faster than material farther away. Here, the faster-moving material is heard at higher frequencies. Very low tones represent material outside the black hole’s main ring. Louder volume indicates brighter spots in the image.

    Sgr A* feeds on hot material pushed off of massive stars at the galactic center. That gas, drawn toward Sgr A* by its gravitational pull, flows into a surrounding disk of glowing material, called an accretion disk. The disk, the stars and an outer bubble of X-ray light “are like an ecosystem,” says astrophysicist Daryl Haggard of McGill University in Montreal and a member of the EHT collaboration. “They’re completely tied together.”

    That accretion disk is where the action is — as the gas moves within immensely strong magnetic fields — so astronomers want to know more about how the disk works.

    Like the majority of supermassive black holes,  Sgr A* is quiet and faint (SN: 6/5/19 ). The black hole eats only a few morsels fed to it by its accretion disk. Still, “it’s always been a little bit of a puzzle why it’s so, so faint,” says astrophysicist Meg Urry of Yale University, who is not part of the EHT collaboration. M87’s black hole, in comparison, is a monster gorging on nearby material and shooting out enormous, powerful jets (SN: 11/10/21). But that doesn’t mean Sgr A* isn’t producing light. Astrophysicists have seen its region feebly glowing in radio waves, jittering in infrared and burping in X-rays.

    In fact, the accretion disk around Sgr A* seems to constantly flicker and simmer. This variability, the constant flickering, is like a froth on top of ocean waves, Markoff says. “​​And so we’re seeing this froth that is coming up from all this activity, and we’re trying to understand the waves underneath the froth.” 

    The big question, she adds, has been if astronomers would be able to see something changing in those waves with EHT. In the new work, they’ve seen hints of those changes below the froth, but the full analysis is still ongoing.

    By combining about 3.5 petabytes of data, or the equivalent of about 100 million TikTok videos, captured in April 2017, researchers could begin to piece together the picture. To tease out an image from the initial massive jumble of data, the EHT team needed years of work, complicated computer simulations and observations in various types of light from other telescopes. 

    [embedded content]
    Scientists created a vast library of computer simulations of Sagittarius A* (one shown) to explore the turbulent flow of hot gas that rings the black hole. That rapid flow causes the ring’s appearance to vary in brightness on timescales of minutes. Scientists compared these simulations with the newly released observations of the black hole to better understand its true properties.

    Those “multiwavelength” data from the other telescopes were crucial to assembling the image. “By looking at these things simultaneously and all together, we’re able to come up with a complete picture,” says theorist Gibwa Musoke of the University of Amsterdam. 

    Sgr A*’s variability, the constant simmering, complicated the analysis because the black hole changes on timescales of just a few minutes, changing as the researchers were imaging it. “It was like trying to take a clear picture of a running child at night,” astronomer José L. Gómez of Instituto de Astrofísica de Andalucía in Granada, Spain, said at a news conference announcing the result. M87 was easier to analyze because it changed over the course of weeks.

    Ultimately, a better understanding of what is happening in the disk so close to Sgr A* could help scientists learn how many other similar supermassive black holes work. 

    The new EHT observations also confirm the mass of Sgr A* at 4 million times that of the sun. If the black hole replaced our sun, the shadow EHT imaged would sit within Mercury’s orbit. 

    The researchers also used the image of Sgr A* to put general relativity to the test (SN: 2/3/21). Einstein’s steadfast theory of gravity passed: The size of the shadow matched the predictions of general relativity. By testing the theory in extreme conditions — like those around black holes — scientists hope to pinpoint any hidden weaknesses.

    Scientists have previously tested general relativity by following the motions of stars that orbit very close to Sgr A* — work that also helped confirm that the object truly is a black hole (SN: 7/26/18). For that discovery, researchers Andrea Ghez and Reinhard Genzel won a share of the Nobel Prize in physics in 2020 (SN: 10/6/20).

    The two types of tests of general relativity are complementary,  says astrophysicist Tuan Do of UCLA. “With these big physics tests, you don’t want to use just one method.” If one test appears to contradict general relativity, scientists can check for a corresponding discrepancy in the other.

    The Event Horizon Telescope, however, tests general relativity much nearer to the black hole’s edge, which could highlight subtle effects of physics beyond general relativity. “The closer you get, the better you are in terms of being able to look for these effects,” says physicist Clifford Will of the University of Florida in Gainesville.

    However, some researchers have criticized a similar test of general relativity made using the EHT image of M87’s black hole (SN: 10/1/20). That’s because the test relies on relatively shaky assumptions about the physics of how material swirls around a black hole, says physicist Sam Gralla of the University of Arizona in Tucson. Testing general relativity in this way “would only make sense if general relativity were the weakest link,” but scientists’ confidence in general relativity is stronger than the assumptions that went into the test, he says.

    The observations of Sgr A* provide more evidence that the object is in fact a black hole, says physicist Nicolas Yunes of the University of Illinois Urbana-Champaign. “It’s really exciting to have the first image of a black hole that is in our own Milky Way. It’s fantastic.” It sparks the imagination, like early pictures astronauts took of Earth from the moon, he says.

    This won’t be the last eye-catching image of Sgr A* from EHT. Additional observations, made in 2018, 2021 and 2022, are still waiting to be analyzed. 

    “This is our closest supermassive black hole,” Haggard says. “It is like our closest friend and neighbor. And we’ve been studying it for years as a community. [This image is a] really profound addition to this exciting black hole we’ve all kind of fallen in love with in our careers.” More

  • in

    'World-leading' research not confined to elite universities, says REF

    The Research Excellence Framework, an assessment of UK universities’ research output, has found that “world-leading” research is distributed across the country rather than concentrated in a few elite institutions

    Humans

    12 May 2022

    By Jason Arunn Murugesu
    Research around the UK has been called “world-leading”Muhammet Camdereli/Getty Images
    The UK’s “world-leading” research isn’t just limited to a select few elite universities, but rather is distributed across the country, according to the latest UK government analysis of the country’s academic output.
    The analysis by the Research Excellence Framework (REF) team is based on seven years’ worth of work conducted by universities. It assesses the quality of a university’s research output in terms of how highly cited it is and the impact it has had in both academia and the wider world. Unlike in 2014, the last time this analysis was conducted, the REF team put a greater emphasis on the wider long-term impact that a piece of research has had on the UK’s economy, environment and quality of life.
    The results will help UK government funding bodies decide how to allocate £2 billion worth of grant money between universities each year.Advertisement
    “There’s lots of myths about where our research excellence is, but the truth is that it is more broadly distributed, as the results from this exercise show,” says Steven Hill at Research England, chair of the REF steering group.
    More than 185,000 pieces of research were submitted by 157 universities to the REF team, which were reviewed by 34 expert panels. The panels were split into four main categories: life and medical sciences, physical sciences, social sciences and arts and humanities.

    The team found that 41 per cent of the research submitted was considered of the highest quality, which the REF team termed “world-leading”. Meanwhile, 43 per cent of the research was ranked “internationally excellent”. More than 80 per cent of the research assessed at both these levels of quality was found in every region and nation in the UK.
    Nearly all universities who submitted research to the REF team were found to have at least some of their activity judged as “world-leading”. “There’s a really even distribution of research excellence across the UK,” says Hill.
    Comparisons with previous analyses made by REF are difficult to make due to methodological changes, but the 2014 REF report found that only 30 per cent of research submitted was “world-leading”.
    “Universities play a key role in providing the ideas and skills to fuel the regional economy that surrounds them,” says Brian Walker at Newcastle University, UK. “In less prosperous regions, these contributions from universities are disproportionately important.”

    More on these topics: More

  • in

    Arica review: Gut-wrenching documentary about a toxic waste lawsuit

    Waste from Swedish firm Boliden was dumped near a town in ChileARICA LAIKA FILM AND TELEVISION
    Arica
    Lars Edman and William Johansson
    Selected UK cinemasAdvertisement
    FORTY years ago, Boliden, a Swedish multinational metals, mining and smelting company, sold nearly 200,000 tonnes of smelter sludge rich in mercury, arsenic, lead and other heavy metals to the Chilean reprocessing company Promel. The latter dumped most of it next to a row of houses in Arica in northern Chile.
    Over the years, this community of low-income families swelled until it surrounded the site of contamination. A generation of children grew up playing in the sludge. In 1999, the Chilean government struck an uneasy peace with those affected by this avoidable catastrophe. Promel no longer exists. Families closest to the site have been evacuated.
    Swedish film-maker Lars Edman returns to the country of his birth and the site of his 2010 Toxic Playground documentary for a follow-up. Arica concentrates on the legal case against Boliden, whose due diligence on toxic materials has come under serious question. Boliden denies responsibility, saying it followed applicable regulations and believed the waste would be processed safely. Any negligence, it argues, is attributable to Promel and the Chilean authorities.
    The chief protagonist of Edman’s first film was Rolf Svedberg, Boliden’s former head of environmental issues. It was his site visit and report that green-lit the sale and transport of what Boliden’s legal team calls “material of negative value”.
    Brought face to face with the consequences of that decision, and hosted by a community riddled with cancer and congenital conditions, Svedberg’s distress was visible. A decade on, though, he has the legal case to think of, not to mention his current role as a judge at Sweden’s environmental supreme court.
    Boliden’s legal consultants bring in experts who assemble arcane explanations and a ludicrous wind-tunnel experiment to show that living next to tailings containing 17 per cent arsenic couldn’t possibly have affected anyone’s health. Opposing them are 800 plaintiffs (out of a community of 18,000) armed with a few urine tests from 2011 and evidence that would be overwhelming were it not so frustratingly anecdotal.
    One interviewee, Elia, points out houses from her gate. “The lady who lived in the house with the bars,” she says, “sold the house and died of cancer. Next door is Dani Ticona. She had aggressive cancer in her head and died too. And her son’s wife had a baby who died…”
    Boliden’s team performs a familiar trick, sowing doubt by suggesting that lab and field science are the same thing, with identical standards of proof. If the company had to address average consumers rather than Arica’s low-income residents, it would long since have saved money and its reputation by owning the problem. But Boliden deals with corporations and governments. Its image rests on problem-free operations; it pays to stay silent.
    In the end, the community loses, but in 2021 the UN sent experts into Arica. Their findings shamed both the company and the Swedish government.
    Law is a rhetorical art. We like to think justice can be scientifically determined, but that is to misunderstand science and the law. Tragedy, poverty, blame and shame cannot be reduced to numbers. Protest, eloquence and argument are as essential for justice as they were in the making of this elegiac film.
    Simon also recommends… More

  • in

    Don't Miss: Time-hopping new sci-fi romance The Time Traveler's Wife

    CORNELIA PARKER
    Visit
    Cornelia Parker brings mesmerising, large-scale installations to London’s Tate Britain gallery. Expect frozen moments, exploded art (see above), perceptual games and glimpses into deep time. Open from 19 May.
    HBO
    Watch
    The Time Traveler’s Wife is a mix of sci-fi and romance, in which protagonist Henry (Theo James) flitters uncontrollably through time, and his wife Clare (Rose Leslie) has to put up with him. Streaming on Sky Atlantic and NOW TV from 16 May.Advertisement
    Artem Oleshko/Alamy
    Listen
    The Academy of Robotics, which has launched and tested some of Europe’s first self-driving cars, examines how tech is transforming its own funding structures in a six-part podcast on the Clubhouse audio app.

    More on these topics: More

  • in

    How to make your own yogurt

    By Sam Wong
    Shutterstock/Rozdemir
    THE idea that we can improve our gut health by eating foods containing live “friendly” bacteria, or probiotics, dates back to the early 20th century. Ilya Mechnikov, a Russian biologist whose work on immunity led to a Nobel prize, postulated that consuming soured milk fostered beneficial bacteria in the intestines. He claimed that people in Bulgaria who ate yogurt lived longer as a result, and his ideas helped to popularise yogurt in western Europe and North America.
    The main types of bacteria found in commercial yogurt are Lactobacillus delbrueckii subspecies bulgaricus and Streptococcus thermophilus. Several studies have found that … More

  • in

    The Intelligence Factory review: How women won the war at Bletchley

    A moving exhibition at Bletchley Park shows women’s crucial contribution to the success of the UK’s wartime intelligence centre

    Humans

    11 May 2022

    By Nicholas Wroe

    THROUGH movies like Enigma and The Imitation Game, we think we know all about Bletchley Park, the UK government intelligence centre in Buckinghamshire that broke the codes and cyphers of the Axis powers and changed the course of the second world war. But there are, it turns out, still plenty more stories to tell.Advertisement
    The Intelligence Factory, a permanent new exhibition on the Bletchley Park site, which has been a museum since 1993, mostly steers clear of the achievements of the likes of Alan Turing. Instead, it seeks to recreate the unsung work, also invaluable to the war effort, undertaken by the large and largely anonymous cast of more junior workers. This was predominantly young women, who enabled Bletchley to gather and disseminate “the product”, as it described its intelligence, to Allied forces and politicians.
    Visitors can see historic objects – often in the rooms where they were used in wartime – such as a Hollerith tabulating machine and its punch cards, which became a stepping stone to modern computing. There are huge maps and charts on which analysts tracked shipping convoys in near real time, interactive elements to illustrate the problem-solving that took place, and impressive examples of early analogue data management, storage and visualisation systems – all of which have direct parallels today.
    But The Intelligence Factory also features diaries, home movies and even teddy bears belonging to workers, mixing the intensely personal with the wider picture of ordinary people taking on an extraordinary task.
    The sheer scale of the endeavour is overwhelming: you even enter through a large loading bay built to accommodate the delivery of 2 million punch cards every week to feed the Hollerith machines.
    When war began, Bletchley was likened to a small university. It succeeded in cracking codes, but the sheer weight of information it received became ever more unmanageable. Over the years, it dramatically scaled up to something closer to a factory. By the end of the war, 9000 people were on site, 75 per cent of them women. Their work – such as punching those cards – was often mind-numbingly repetitive, and they had little or no idea where they fitted into the bigger picture.
    They were also forbidden to speak about their work, even to colleagues. Unsurprisingly, morale was a major concern for Bletchley’s leadership, and its famous tennis courts as well as its concerts and societies were a stab at addressing the issues. But logistics were even more of a headache
    Feeding, housing and transporting the workforce became as much a focus as the logistics of collating, sharing and making retrievable the vast swathes of information (all on paper) across the site. The exhibition shows both activities, with food playing a prominent role. A newfangled idea – the canteen, copied from the Kodak factory in Harrow – was introduced to improve efficiency.
    Scattered across the exhibition are modern applications of ideas developed at Bletchley in the 1940s. These include an Encrochat phone used by criminal gangs, whose encryption was cracked by international crime agencies, and algorithms that identify suspicious shipping movements.
    Another new exhibition on the site, The Art of Data, also explores data visualisation through strikingly visualised 21st-century uses, from heat maps tracking swimmers in an Ironman race to the movements of the local Milton Keynes Dons football team during a match.
    Behind all this, the human element shines out, as it did in wartime. It was the quiet skills of organisation and resilience as well as genius minds and cutting-edge innovation that allowed Bletchley to succeed. In the end, The Intelligence Factory is a moving and inspiring story of a myriad small jobs being done by ordinary people that together amounted to something very special.

    More on these topics: More

  • in

    A city of 10 billion: Speculative image paints a vision of the future

    A series of immersive installations, including Planet City, a film that imagines a “hyper-dense” city of 10 billion people, are part of Our Time on Earth, a new exhibition at the Barbican Centre in London encouraging people to reconnect with the natural world

    Humans

    11 May 2022

    By Gege Li
    Liam Young
    THE complexity, community and precarity of the planet are highlighted in these works from Our Time on Earth, a new exhibition at the Barbican Centre in London. The show aims to “ignite a sense of hope and courage, and to shift people’s mindsets to reconnect with the natural world”, says co-curator Luke Kemp.
    David Levene
    The image above is a still from a video called Sanctuary of the Unseen Forest, a collaboration between immersive art collective Marshmallow Laser Feast, Andres Roberts – co-founder of The Bio-Leadership Project – and artist James Bulley. It explores our intimate connection with trees and addresses “plant blindness”, a human tendency to ignore plants in favour of animals.Advertisement
    The lead image is a video still from Planet City, a film directed by architect Liam Young that imagines a “hyper-dense” city of 10 billion people, allowing the rest of the world to be reclaimed by the wild. It shows a speculative solution for feeding the city’s population.
    Tim P. Whitby/Getty Images for Barbican Centre
    Above is an image from digital art installation Life Forces by art duo Tin & Ed, which aims to provide a portal to nature by using human body tracking to allow visitors to interact with digital landscapes.
    The two below images are shots of Sharing Prosperity, a gaming experience created by DVTK in collaboration with the Institute for Global Prosperity at University College London. Set in the near future, the game explores how collaboration could help the planet to flourish.
    ‘Tim P. Whitby/Getty Images for Barbican Centre
    Tim P. Whitby/Getty Images for Barbican Centre
    Our Time on Earth is on at the Barbican Centre until 29 August.

    More on these topics: More