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    ­­Oscar-winning actors live longer than unsuccessful nominees

    Oscar winners alive today are expected to die aged 81.3, on average, compared with 76.4 for their fellow nominees and 76.2 for their unnominated co-stars

    Health

    26 April 2022

    By Alice Klein
    Katharine Hepburn in the 1981 film On Golden Pond, for which she won the Best Actress Oscar, aged 74Moviestore Collection Ltd/Alamy
    ­­Oscar-winning actors are expected to live five years longer than thespians who never take home an Academy Award.­
    While watching the Oscars one year, Donald Redelmeier at the University of Toronto in Canada noticed the actors on stage appeared more vivacious than people of the same age who he treats.
    Together with his colleague Sheldon Singh, Redelmeier looked at the 934 actors who were nominated for an Oscar, from the award’s … More

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    Gravitational waves gave a new black hole a high-speed ‘kick’

    This black hole really knows how to kick back.

    Scientists recently observed two black holes that united into one, and in the process got a “kick” that flung the newly formed black hole away at high speed. That black hole zoomed off at about 5 million kilometers per hour, give or take a few million, researchers report in a paper in press in Physical Review Letters. That’s blazingly quick: The speed of light is just 200 times as fast.

    Ripples in spacetime, called gravitational waves, launched the black hole on its breakneck exit. As any two paired-up black holes spiral inward and coalesce, they emit these ripples, which stretch and squeeze space. If those gravitational waves are shot off into the cosmos in one direction preferentially, the black hole will recoil in response.

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    It’s akin to a gun kicking back after shooting a bullet, says astrophysicist Vijay Varma of the Max Planck Institute for Gravitational Physics in Potsdam, Germany.

    Gravitational wave observatories LIGO and Virgo, located in the United States and Italy, detected the black holes’ spacetime ripples when they reached Earth on January 29, 2020. Those waves revealed details of how the black holes merged, hinting that a large kick was probable. As the black holes orbited one another, the plane in which they orbited rotated, or precessed, similar to how a top wobbles as it spins. Precessing black holes are expected to get bigger kicks when they merge.

    So Varma and colleagues delved deeper into the data, gauging whether the black hole got the boot. To estimate the kick velocity, the researchers compared the data with various predicted versions of black hole mergers, created based on computer simulations that solve the equations of general relativity, Einstein’s theory of gravity (SN: 2/3/21). The recoil was so large, the researchers found, that the black hole was probably ejected from its home and kicked to the cosmic curb.

    Dense groups of stars and black holes called globular clusters are one locale where black holes are thought to partner up and merge. The probability that the kicked black hole would stay within a globular cluster home is only about 0.5 percent, the team calculated. For a black hole in another type of dense environment, called a nuclear star cluster, the probability of sticking around was about 8 percent.

    The black hole’s great escape could have big implications. LIGO and Virgo detect mergers of stellar-mass black holes, which form when a star explodes in a supernova and collapses into a black hole. Scientists want to understand if black holes that partner up in crowded clusters could partner up again, going through multiple rounds of melding. If they do, that could help explain some surprisingly bulky black holes previously seen in mergers (SN: 9/2/20). But if merged black holes commonly get rocketed away from home, that would make multiple mergers less likely.

    “Kicks are very important in understanding how heavy stellar-mass black holes form,” Varma says.

    Previously, astronomers have gleaned evidence of gravitational waves giving big kicks to supermassive black holes, the much larger beasts found at the centers of galaxies (SN: 3/28/17). But that conclusion hinges on observations of light, rather than gravitational waves. “Gravitational waves, in a way, are cleaner and easier to interpret,” says astrophysicist Manuela Campanelli of the Rochester Institute of Technology in New York, who was not involved in the new study.

    LIGO and Virgo data had already revealed some evidence of black holes getting small kicks. The new study is the first to report using gravitational waves to spot a black hole on the receiving end of a large kick.

    That big kick isn’t a surprise, Campanelli says. Earlier theoretical predictions by Campanelli and colleagues suggested that such powerful kicks were possible. “It’s always exciting when someone can measure from observations what you predicted from calculations.” More

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    Traffic accident statistics on signs may actually cause more crashes

    The number of crashes on Texan roads increased when electronic signs were used to display driving fatality figures

    Humans

    21 April 2022

    By Matthew Sparkes
    Some warnings on electronic road signs might do more harm than goodWillowpix/Getty Images
    Electronic signs above US highways that highlight annual traffic fatalities are intended to shock people into driving safely, but statisticians warn there is compelling evidence they actually cause accidents.
    Although the messages are displayed in many US states, Jonathan Hall at the University of Toronto in Canada and his colleagues chose to examine crash data from Texas because the state uses electronic signs for fatality warnings just one week out of each month, providing ample control data for comparison.
    The researchers compared the number of crashes from the two years before the signs were introduced with five years of data while they were in place. They discovered that displaying a fatality message increased the number of crashes on the 10 kilometres of road after the sign by 4.5 per cent. Their findings suggest fatality messages caused an additional 2600 crashes and 16 deaths per year across Texas.Advertisement
    Hall puts the effect down to distraction and the increase in a driver’s cognitive load while absorbing the information. “You see it and you’re thinking about it, and so you don’t put on your brakes quite as soon, and these little errors, 1 in 50 times, might cause a crash,” he speculates. “The perfect evidence would be a randomised control trial. I want to be clear that we don’t have that. But I think we actually have really, really compelling evidence.”

    He says that the number of fatalities displayed on a sign also changes its impact as larger numbers are more shocking. In Texas, the state fatality numbers were reset each year in February and the team saw a big drop in crashes in February compared with January.
    Hall says his team has written to all states that show such warning messages and asked them to collaborate on further research, but they have received little positive response. “If you’re going to do a safety campaign, it’s not that hard to say, ‘hey, let’s randomly draw five weeks from the next six months to show this sign, and analyse crashes’. But they haven’t done that, because there’s just a presumption that the signs can’t hurt,” he says.
    The Texas Department of Transportation didn’t respond to a request for comment, but is understood to no longer display such warning messages above highways.
    Journal reference: Science, DOI: 10.1126/science.abm3427

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    'Viking skin' nailed to medieval church doors is actually animal hide

    Scientists analysed the remains of skin patches attached to three English church doors, discovering they came from farm animals – not Viking raiders

    Humans

    21 April 2022

    By Joshua Howgego
    “Daneskin” and a hinge taken from the door of St. Botolph’s church in Hadstock, near Cambridge, in the UKSaffron Walden Museum
    Patches of skin supposedly flayed from Viking raiders and attached to the doors of some English churches are actually animal hides, a genetic analysis has revealed.
    At least four medieval churches in England have remains of these so-called daneskins. The most well-known example is from St. Botolph’s church in Hadstock, near Cambridge. According to local myth, St. Botolph’s macabre adornment was taken from a Viking after they attempted to pillage … More

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    Stone Age Europeans may have gathered to watch animations by the fire

    The campfire was a social hub for ancient humans, and a virtual reality investigation suggests that the flickering light may have made art etched on flat rocks look animated

    Humans

    20 April 2022

    By Colin Barras
    The position of replica Stone Age plaquettes in relation to fire during an experimentNeedham et al., 2022, PLOS ONE, CC-BY 4.0
    Stone Age Europeans may have huddled around campfires at night to watch simple animations created when firelight danced across artwork etched on flat rocks.
    The ancient paintings preserved on the walls of European caves tell us that Stone Age artists could depict animals with astonishing realism. What makes this prehistoric art even more impressive is that a lot of it must have been painted by firelight, because it lies far from cave entrances and beyond the reach of the sun.
    Recently, some archaeologists have speculated that ancient humans saw this flickering firelight as an opportunity to enhance their work. By producing multiple overlapping pictures on the cave wall, artists could create rudimentary animations as the light from their flaming torches highlighted first one and then another image.Advertisement
    Now, Andrew Needham at the University of York, UK, and his colleagues have found evidence that these simple animations weren’t confined to deep caves. Instead, some appear to have been etched onto flat stones placed near hearths around which Stone Age people would gather in the evening.

    The stones, called plaquettes, were excavated in the 19th century from the Montastruc rock shelter in southern France. Most of them are 10 to 20 centimetres in length and width and have images of animals – usually horses or reindeers – etched on one or both sides. They were created by so-called Magdalenian people, probably between about 16,000 and 13,500 years ago.
    Little is known about how the plaquettes were originally used. But Needham and his colleagues point out that most of them have one feature in common: evidence of exposure to heat. Because other ancient artefacts from the rock shelter don’t show evidence of heat exposure, the researchers argue that the plaquettes were routinely placed near campfires.
    Needham and his colleagues wondered what effect flickering light from the flames might have had on the artwork. To explore this, they produced 3D computer models of the plaquettes and used virtual reality to simulate dim light dancing over their surfaces.

    Doing so revealed that the light can draw the viewer’s attention to first one and then another animal engraved on the plaquette, giving an impression of movement.
    “This must have been quite a powerful visual effect,” says Needham – particularly in the context of a campfire. “This was likely an important social space. It might have been a place to share stories or chat and bond with each other after long days spent out in the landscape hunting and gathering.”
    He says the research is a reminder of the need to think about ancient art in its original context when possible.
    “The art is not just the engraved lines on the rock, but those engraved lines experienced under the correct conditions of darkness and roving light,” says Needham. “It changes our appreciation of what art was and how it was used by Magdalenian people.”
    Journal reference: PLoS One, DOI: 10.1371/journal.pone.0266146
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    Don't miss: The Velvet Queen searches for a snow leopard in wild Tibet

    New Scientist’s weekly round-up of the best books, films, TV series, games and more that you shouldn’t miss

    Humans

    20 April 2022

    Watch
    The Velvet Queen herself – the snow leopard – comes to selected UK and Irish cinemas on 29 April, accompanied by wolves, bears, yaks, birds and the fabulous and untouched landscapes of the Tibetan plateau.

    Read
    Wild by Design by environmental historian Laura Martin examines how we ended up casting ourselves as the “managers” of wild spaces, and goes on to ask whether we can design natural places without destroying wildness.

    Watch
    The philosophy and science of the disrupted mind are explored by philosopher Noga Arikha and neuroscientist Katerina Fotopoulou in this online talk by The Royal Institution at 7pm BST on 26 April.Advertisement More

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    Sighs of relief as earthquake-resistant bike saddle finally invented

    As buyers await the launch of a bicycle saddle that promises to be earthquake resistant, Feedback also ponders the sculptures set to be housed in a transparent cube on the moon, and key information on the errant mass of the W boson

    Humans

    20 April 2022

    Josie Ford
    Quaking on our bikes
    Feedback doesn’t live in great fear of earthquakes. The last significant tremor in our neck of the woods – a 4.3-magnitude shocker that hit Folkestone, UK, in 2007 – was, according to one eyewitness, like someone was at the end of my bed hopping up and down. This is how it felt the last time the earth moved for us, too, although admittedly that was even further back.
    Still, you can’t be too careful, and the past couple of years have taught us nothing if not the value of the precautionary principle, although possibly not even … More

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    Sea of Tranquility review: A disturbing tale of time travel

    The new science fiction novel from Station Eleven’s author is mostly set centuries into the future – but also contains scary glimpses of a pandemic-strewn past

    Humans

    20 April 2022

    By Clare Wilson
    Time travel isn’t all fun and games in Sea of TranquilityShutterstock/Tomertu
    Sea of Tranquility
    Emily St John Mandel
    Picador
    IT SAYS a lot about Emily St John Mandel’s imagination that while there are multiple instances of time travel in her new book, Sea of Tranquility, this is only one of several intriguing plot strands.
    The novel, Mandel’s sixth, is a welcome return to science fiction after her contemporary outing, The Glass Hotel. Her highly successful fourth novel, Station Eleven, is set 20 years after a deadly pandemic, and … More