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    Ice Age Footprints review: Ancient humans’ arrival in North America

    This documentary tracks the quest for the oldest human footprints in North America, and what they can tell us about when people first arrived on the continent

    Humans

    23 May 2022

    By Carissa Wong
    Ancient footprints in New Mexico’s White Sands National Park.GBH/NOVA/WGBH
    Ice Age Footprints
    Directed by Bella Falk and David Dugan
    On PBS on 25 May at 9PM EST, then streaming at pbs.org/nova
    IN January 2020, in a secret location within White Sands Park, New Mexico, geologists Kathleen Springer and Jeffrey Pigati began to dig out a trench in search of ancient human footprints. They hoped to shed light on two long-standing questions about the history of humans in North America: how long ago did people first arrive, and did humans … More

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    Pulsars may power cosmic rays with the highest-known energies in the universe

    The windy and chaotic remains surrounding recently exploded stars may be launching the fastest particles in the universe.

    Highly magnetic neutron stars known as pulsars whip up a fast and strong magnetic wind. When charged particles, specifically electrons, get caught in those turbulent conditions, they can be boosted to extreme energies, astrophysicists report April 28 in the Astrophysical Journal Letters. What’s more, those zippy electrons can then go on to boost some ambient light to equally extreme energies, possibly creating the very high-energy gamma-ray photons that led astronomers to detect these particle launchers in the first place.

    “This is the first step in exploring the connection between the pulsars and the ultrahigh-energy emissions,” says astrophysicist Ke Fang of the University of Wisconsin, Madison, who was not involved in this new work.

    Last year, researchers with the Large High Altitude Air Shower Observatory, or LHAASO, in China announced the discovery of the highest-energy gamma rays ever detected, up to 1.4 quadrillion electron volts (SN: 2/2/21). That’s roughly 100 times as energetic as the highest energies achievable with the world’s premier particle accelerator, the Large Hadron Collider near Geneva. Identifying what’s causing these and other extremely high-energy gamma rays could point, literally, to the locations of cosmic rays — the zippy protons, heavier atomic nuclei and electrons that bombard Earth from locales beyond our solar system.

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    Some gamma rays are thought to originate in the same environs as cosmic rays. One way they’re produced is that cosmic rays, shortly after being launched, can slam into relatively low-energy ambient photons, boosting them to high-energy gamma rays. But the electrically charged cosmic rays are buffeted by galactic magnetic fields, which means they don’t travel in a straight line, thus complicating efforts to trace the zippy particles back to their source. Gamma rays, however, are impervious to magnetic fields, so astrophysicists can trace their unwavering paths back to their origins — and figure out where cosmic rays are created.

    To that end, the LHAASO team traced the hundreds of gamma-ray photons that it detected to 12 spots on the sky. While the team identified one spot as the Crab Nebula, the remnant of a supernova about 6,500 light-years from Earth, the researchers suggested that the rest could be associated with other sites of stellar explosions or even young massive star clusters (SN: 6/24/19).

    In the new study, astrophysicist Emma de Oña Wilhelmi and colleagues zeroed in one of those possible points of origin: pulsar wind nebulas, the clouds of turbulence and charged particles surrounding a pulsar. The researchers weren’t convinced such locales could create such high-energy particles and light, so they set out to show through calculations that pulsar wind nebulas weren’t the sources of extreme gamma rays. “But to our surprise, we saw at the very extreme conditions, you can explain all the sources [that LHAASO saw],” says de Oña Wilhelmi, of the German Electron Synchrotron in Hamburg.

    The young pulsars at the heart of these nebulas — no more than 200,000 years old — can provide all that oomph because of their ultrastrong magnetic fields, which create a turbulent magnetic bubble called a magnetosphere.

    Any charged particles moving in an intense magnetic field get accelerated, says de Oña Wilhelmi. That’s how the Large Hadron Collider boosts particles to extreme energies (SN: 4/22/22). A pulsar-powered accelerator, though, can boost particles to even higher energies, the team calculates. That’s because the electrons escape the pulsar’s magnetosphere and meet up with the material and magnetic fields from the stellar explosion that created the pulsar. These magnetic fields can further accelerate the electrons to even higher energies, the team finds, and if those electrons slam into ambient photons, they can boost those particles of light to ultrahigh energies, turning them into gamma rays.

    “Pulsars are definitely very powerful accelerators,” Fang says, with “several places where particle acceleration can happen.”

    And that could lead to a bit of confusion. Gamma-ray telescopes have pretty fuzzy vision. For example, LHASSO can make out details only as small as about half the size of the full moon. So the gamma-ray sources that the telescope detected look like blobs or bubbles, says de Oña Wilhelmi. There could be multiple energetic sources within those blobs, unresolved to current observatories.

    “With better angular resolution and better sensitivity, we should be able to identify what [and] where the accelerator is,” she says. A few future observatories — such as the Cherenkov Telescope Array and the Southern Wide-field Gamma-ray Observatory — could help, but they’re several years out. More

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    The people who built Stonehenge may have eaten raw cattle organs

    By Corryn Wetzel
    Fossilised human faeces from Durrington Walls, EnglandLisa-Marie Shillito
    The people who built Stonehenge probably ate cattle organs and shared leftovers with dogs, according to an analysis of parasites trapped in ancient faeces.
    Fossilised excrement roughly 4500 years old was discovered several years ago at Durrington Walls, a Neolithic settlement in England thought to have housed the people who built Stonehenge. Previous research suggests the village held a few thousand residents who travelled to the location seasonally to erect the stone pillars.
    Piers Mitchell at the University of Cambridge and his team analysed 19 faecal fossils, determining that some were from humans and some from dogs. When they examined the faeces under a microscope, they saw the eggs of a type of parasite called a capillariid worm, which they could identify from its lemon-like shape. This led them to conclude that the sample came from someone who had eaten raw organs of an infected bovine.Advertisement
    “We know they must have been eating internal organs such as the liver, where this parasite would normally live, and they were also feeding it to their dogs, because the dogs had the same kind of parasite,” says Mitchell.
    The villagers probably ate raw, parasite-laden organs when a cow wasn’t cooked thoroughly. “We can see these beautiful parasite eggs from thousands of years ago, which haven’t been damaged by the cooking process,” says Mitchell.
    One sample of dog excrement contained eggs from a freshwater fish tapeworm, which Mitchell says is an especially intriguing find because fish were not a common food at the settlement. He suspects the raw fish was transported from a faraway village for a feast at Stonehenge then consumed by the dog.
    “[The results] show a really interesting way that humans were living with their companion animals thousands of years ago – they were still treating their dogs as one of the family even back then,” says Mitchell. “It’s given us this wonderful window of evidence that we didn’t have before.”
    Journal reference: Parasitology, DOI: 10.1017/S0031182022000476

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    Night Sky review: Engaging show about a portal to another planet

    By Josh Bell
    Amazon Prime Video
    Night Sky
    Holden Miller, Daniel C. Connolly
    Amazon Prime Video, 20 MayAdvertisement

    GETTING older is never easy, but ageing couple Franklin and Irene York are able to take refuge from their ailments and frustrations by going out to “see the stars“.
    Played by J. K. Simmons and Sissy Spacek, the main characters of Amazon Prime Video’s Night Sky don’t just use a telescope to gaze at the heavens. Instead, they descend into a cellar hidden under the floorboards of a shed in their backyard, walk down a dank tunnel and open a bizarre, alien-looking door.
    There, they find a chamber that, somehow, transports them to a room on what appears to be another planet. They look out the window at a view that no one else on Earth gets to experience. Or so they believe.
    Night Sky, created by Holden Miller and Daniel C. Connolly, starts slowly, spending plenty of time with Franklin and Irene as they go about their daily business in small-town Illinois, with the sci-fi elements of the story often fading into the background.
    Simmons and Spacek are such strong actors that Night Sky would have been engrossing simply as a story about a loving couple headed into their twilight years, reckoning with nostalgia and regret. The first episode doesn’t deal with much more than that, at least until the end, when Irene discovers a mysterious man inside the underground portal.
    The interloper, Jude (Chai Hansen), both disturbs and invigorates the Yorks, leading them to new discoveries about the device they have been using for the past 20 years without ever questioning it. He also has an agenda of his own, which, just like everything else in Night Sky, unfolds slowly over the course of the first six episodes.
    The glacial plot progression can be frustrating, especially when the focus shifts away from the Yorks to other storylines whose connections to the main narrative take a while to coalesce.
    The second episode introduces a mother and daughter living in rural Argentina, protecting a strange chapel and reluctantly taking orders from a dangerous secret society. The dynamic between Stella (Julieta Zylberberg) and her teenage daughter Toni (Rocío Hernández) isn’t as emotionally rewarding as the Yorks’s lived-in relationship, but their direct involvement in the vague conspiracy lends their scenes a bit more excitement.
    Still, the character development is as incremental as that relating to the plot, and some of the show’s detours look more like dead ends. The Yorks’s nosy neighbour goes through an entire unrelated drama on his own just so he can circle back to poking around the shed and making an actual impact on the plot. There are plenty of scenes of similarly dubious relevance involving secondary characters that contribute to the lethargic pacing.
    Maybe there will be satisfying answers in the remaining two episodes of the eight-episode first series, but, for now, Night Sky is more about insinuations and atmosphere than explanations. There are references to “quantum entanglement” and “spooky action at a distance”, but nothing definitive about the origins or mechanics of the Yorks’s portal, or the related projects of the apparently globe-spanning ancient order that Stella and Toni belong to.
    There is usually enough enticement to keep watching until the next episode, though, and even when the show seems to be spinning its wheels, Simmons and Spacek find lovely grace notes in their performances.
    Night Sky‘s most affecting and engaging moments have nothing to do with intergalactic travel or transdimensional portals, however. No special effect matches Irene delivering a heartbreaking monologue about the death of the Yorks’s adult son, or Franklin comforting his granddaughter Denise (Kiah McKirnan) at her father’s grave.
    These characters are on their way to learning the secrets of the universe, but they have already lived long enough to know what truly matters.

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    The female body is misunderstood and this is why, says Rachel E. Gross

    From non-consensual vaginal microbiome transplants to misconceptions about the G-spot, Rachel E. Gross discusses the sexism and biases that have led to our fragmented understanding of the female reproductive system

    Humans

    18 May 2022

    By Catherine de Lange
    Nabil Nezzar
    JOURNALIST Rachel E. Gross was working as the science editor at Smithsonian.com when she developed an “obnoxious” vaginal infection that set her on a mission to better understand her own body. It may have started with her genitals, but in her new book, Vagina Obscura: An anatomical voyage, Gross not only unravels many misunderstandings about the female body, but also rewrites the history of the science of gynaecology with women and LGBTQ+ researchers front and centre. She spoke to New Scientist about why this matters.
    Catherine de Lange: What made you want to write this book?
    Rachel E. Gross: I was doing a lot of coverage of women in the history of science. These themes kept coming up of women in scientific fields that had been left out of the conversation or blocked from attaining certain levels. And at the same time, there were all these questions about women’s bodies and bodies [of people] with a uterus and ovaries that weren’t being asked. I made the connection: the deceptively simple reason why these questions weren’t being asked was because women weren’t at the table.
    How did you find these incredible stories of women who were written out of the history books?
    The darkest section of the book is about James Marion Sims and the development of the speculum. It’s well known that he was a southern slaveholder who made his advancements on the bodies of enslaved Black women. But there is a lot more to that story. I relied a lot on historians who had excavated the stories of some of those women, namely Betsy, Lucy and Anarcha. Deirdre Cooper Owens is the historian … More

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    Regenesis review: Farming is killing the planet but we can stop it

    By Rowan Hooper

    BE WARNED: George Monbiot will put you off your dinner. But that is a good thing – indeed, a vital thing. Our diets have to change. More to the point, the way we farm has to change. “Farming,” says Monbiot, a columnist for The Guardian newspaper and an environmental activist, “is the most destructive human activity ever to have blighted the Earth.”Advertisement
    It is a deliberately provocative statement, of course, but it shows how the myth of the green and pleasant farm is deeply ingrained. Even after reading this comprehensive, devastating and rousing book, that statement still took me aback. But Monbiot lays out his case with statistics and backs it up with citations – the destruction, the ecocide, the suffering, the exploitation, the economic senselessness. It is undeniable.
    Here is a sample. Human habitations, we learn, cover 1 per cent of the world’s land surface. Crops cover 12 per cent. Areas given over to grazing farm animals account for 28 per cent of the world’s land. Only 15 per cent is protected for nature. And that 28 per cent given to grazing animals? It delivers just 1 per cent of the world’s protein.
    How about crops? Almost 60 per cent of the calories produced by farmers come from four crops: soya, maize, wheat and rice. Most of the world’s soya – some 86 per cent – is grown in Brazil, Argentina and the US, and three-quarters of soya, much of it grown on former rainforest or the savannah of Brazil’s Cerrado region goes to feed farm animals. Meat is murder? Meat is also destructively profligate.

    The first half of Regenesis, in which Monbiot sets out the facts about the planet’s teetering life-support systems, is deeply distressing. The sheer damage caused by farming – the ploughing, the fertilisers, the pesticides and herbicides, the antibiotics, the irrigation and the greenhouse gases, but most of all the extirpation of species and the horrific clearance of land – has pushed those life-support systems to breaking point. Land use, says Monbiot, is “the issue that makes the greatest difference to whether terrestrial ecosystems and Earth systems survive or perish”.
    Your reward is the book’s second half, where he offers a treasure trove of hope and solutions, and a vision for a sustainable, healthy, equitable world. Monbiot knows that in transitioning from our destructive practices, we must bring farmers with us. We meet inspiring farmers who pioneer ways to grow food that don’t destroy the soil’s fertility and allow other species to thrive too, as well as some radical solutions. One of the most exciting is using bacteria to make protein. Monbiot eats a pancake made from the stuff, and proclaims it “the beginning of the end of most agriculture”. Well, that would be nice.
    Does Monbiot overestimate not only the willingness of the general public to eat bacteria as their main source of protein, but to entirely change food habits – something at the heart of all cultures?
    Maybe, but change can happen quickly. Some social scientists argue that a decent-sized minority, around 25 per cent, can trigger society-level tipping points in attitude. Look at the worldwide shift in support for LGBTQ+ rights and same-sex marriage. A few years ago, no one had heard of Greta Thunberg; now she is world famous and the Fridays for Future climate movement may change the world.
    So yes, this essential book really should put you off your dinner. It should put you on to something sustainable, equitable, ecologically beneficial and, hopefully, delicious. More

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    Don't Miss: New documentary A Taste of Whale questions Faroes hunt

    Nathan Keay © MCA Chicago. Image courtesy of Carolina Caycedo
    Visit
    Caroline Caycedo fills the Baltic Centre in Gateshead, UK, with art exploring environmental justice, biodiversity and cultural diversity. There’s also a new commission to look at, inspired by the neighbouring river Tyne. Open from 28 May.

    Advertisement
    Read
    The Elephant in the Universe is dark matter. In this new book, popular science writer Govert Schilling describes the century-long attempt by theoreticians to make sense of an elusive, unobservable world. Available from 31 May.
    a taste of whale/Greenwich Entertainment
    Watch
    A Taste of Whale starts a gripping conversation between activists and whalers from the Faroe Islands, as they prepare for the “grind”, a hunt of whales and dolphins. Watch on Amazon Prime Video and Apple TV+ from 27 May.

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    Everything Everywhere All At Once review: Multiverse sci-fi adventure

    By Robyn Chowdhury
    A24
    Everything Everywhere All At Once
    Daniel Kwan, Daniel Scheinert
    Now playing in cinemasAdvertisement
    CHAOTIC sci-fi adventure is the heart of Everything Everywhere All At Once, a movie as touching as it is thrilling. It follows Evelyn Wang (Michelle Yeoh) as she takes on the burden of saving the multiverse. On her journey, she meets, fights and loves the many different versions of those closest to her, showing us that family isn’t just one-dimensional.
    We are introduced quickly to the mania of Evelyn’s life: her damaged relationships with daughter Joy (Stephanie Hsu) and husband Waymond (Ke Huy Quan), not to mention the pile of receipts she must get audited. But Evelyn’s balancing act between family and business is only a fraction of the chaos to come.
    Daniel Kwan and Daniel Scheinert, who wrote, directed and produced the film, waste no time before throwing us into a host of absurd scenarios.
    Warned she may be in grave danger during a trip to declare her taxes, Evelyn flees into another dimension, while tax auditor Deirdre Beaubeirdra (Jamie Lee Curtis) tries in vain to keep her attention. We discover that quirky supervillain Jobu Tupaki has created a sort of “black hole” that threatens the multiverse – and she is hunting Evelyn down.
    This film catapults you so quickly between universes that you barely have time to be confused. It flirts with existentialism and Chinese culture in a bizarre Rick and Morty/ The Matrix hybrid.
    Kwan uses his experience as the son of immigrants to create a family that feels real. The chaos in Evelyn’s life and mind represents attention deficit hyperactivity disorder (ADHD), which Kwan was diagnosed with as an adult. The film portrays neurodiversity with nuance, showing Evelyn as someone who really is feeling everything, everywhere, all at once.
    The cinematography is beautiful, and the music is cleverly used to add humour, tension and sentimentality. Though the film mostly centres on the Wang family and Beaubeirdra, there are so many versions of each character that you never get bored – and the cast have the perfect chance to demonstrate their range.
    Everything Everywhere All At Once grounds a cosmic plot about interdimensional travel with its story of a broken family trying their best to love each other. The film is simultaneously poignant and playful – with more fight scenes involving sex toys than you would expect. It is one to watch for anyone who enjoys laughing and crying in equal measure.

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