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    Origin review: A genetic history of the Americas

    By Michael Marshall

    WHO were the first people to reach the Americas? When did they get there, and how? These are among the most mysterious questions in prehistory, and have long been studied using traditional archaeology: bones, artefacts and so on. In recent years, however, the field has been revolutionised by genetic data. DNA from living people and preserved remains has both enhanced and transformed our understanding of the continents’ First Peoples (those who were on the continent before Europeans arrived) and how they got there.
    Jennifer Raff is a genetic anthropologist at the University of Kansas who has been involved in many studies of ancient American DNA, so she is an ideal guide to the subject. Her book Origin bills itself as “a genetic history of the Americas”, and it largely delivers on that promise. The final third of the book, in particular, draws on genetic and archaeological evidence to tell the story as we see it now. This section is a model of clear and nuanced explanation: Raff highlights the uncertainties and caveats, but doesn’t allow them to overwhelm the story.
    The earlier part of the book is less clear in places. Raff re-examines not only some of the Americas’ most important digs, but the problems inherent in interpreting the evidence from artefacts alone, before the advent of genetic technology.
    She recounts, for example, how archaeologists were convinced that the first people in the Americas were the Clovis, who made a distinctive kind of stone tool. This idea became dogma, and any archaeological sites that seemed older than the Clovis were dismissed – often on flimsy grounds. Only in the past decade or so has pre-Clovis settlement become accepted.
    Then there is the question of how the First Peoples got there. All the evidence suggests that they came from Asia, but there is an open question over the route they took. The evidence is complex and contradictory, and Raff is admirably fair-minded in the way she handles it.
    These sections are crucial to the story because they elucidate just how much light genetics has been able to shed on the big mysteries. Unfortunately, they jump back and forth in time, both in prehistory and in the historical sequence in which the discoveries were made, which can get a little confusing. The problem is exemplified by the first page, where an arresting anecdote is interrupted by four footnotes.
    Despite this, Origin has many strengths. Raff is a critical historian of her own field, who casts a beady eye over the crimes and misdemeanours committed by earlier generations of archaeologists in the Americas. She argues that the story of anthropology in the Americas cannot be separated from the genocide perpetrated by Europeans on First Peoples. Archaeologists frequently dug up buried bodies without consulting local Native American groups, who regard the bodies as their own ancestors – a belief that has often been validated by genetic evidence.
    These attitudes also fed into scientists’ conclusions. When huge artificial structures were found in North America, Europeans attributed them to a lost group of “Mound Builders” and argued that they couldn’t be the work of First Peoples.
    “Raff casts a beady eye over the crimes and misdemeanours of earlier generations of archaeologists”
    It will make uncomfortable reading for people still wrestling with the legacy of the European colonial empires. Some scientists may prefer that these darker episodes not be mentioned, but I tend to agree with Raff that it is crucial to face them head on. She argues that scientists studying the history and culture of Indigenous peoples anywhere in the world must be in constant dialogue with them: asking permission before conducting new studies and asking what the Indigenous peoples themselves want to know.
    Minor niggles aside, then, Origin is a very human book. The settlement of the Americas isn’t simply a scientific mystery to be solved. For Raff, studying the First Peoples is also about learning collaboratively and healing the wounds of history.

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    Don't Miss: Moonfall, a disaster movie of epic proportions

    Reiner Bajo/Lionsgate
    Watch
    Moonfall sees director Roland Emmerich try to top his other disaster films, such as The Day After Tomorrow and Independence Day, by knocking the moon out of orbit and crashing it into Earth. In cinemas from 4 February.

    Read
    The Man Who Tasted Words and other unusually gifted or affected people are the subject of neurologist Guy Leschziner’s journey through our senses, setting out how we use them to understand the complexities of the world around us.Advertisement
    Rolex/Ambroise Tézenas
    Visit
    Thao Nguyen Phan has combined videos, silk paintings and mixed media to explore the history, industry and contested future of Vietnam’s Mekong river. The exhibition runs at Tate St Ives, UK, from 5 February.

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    The company that wants to fight covid-19 with vibrations

    Josie Ford
    No-vax’s good vibrations
    “If you wish to understand the Universe, think of energy, frequency and vibration.” This quote, attributed to the visionary electrical engineer and inventor Nikola Tesla, possibly in his distinctly odd late phase, has long been beloved of those with a vibrantly different understanding of the universe.
    Feedback hesitates to use the word “fruitloopery”, particularly as we now encounter the quote on the website of QuantBioRes, a company whose blameless existence investigating alternative treatments for covid-19 has recently been disturbed by the revelation that its majority shareholder is world men’s tennis no. 1 and vaccine refusenik Novak Djokovic.
    “At QuantBioRes, we work in utilizing unique and novel Resonant Recognition Model (RRM),” we read on the company’s website. “The RRM is a biophysical model based on findings that certain periodicities/frequencies within the distribution of energies of free electrons along the protein are critical for protein biological function and interaction with protein receptors and other targets.”Advertisement
    Following the paper trail a little further, we discover that, in the case of covid-19, the crucial frequency is 0.3145. We aren’t entirely sure what units that is in for those inclined to try it at home. Sadly, clicking what we hoped were links to a battery of exciting tests already performed produces no vibration on the internet’s surface, so we are left none the wiser as to progress.
    These things can take time. In the meantime, we point to the existence of highly effective vaccines, whatever your resonant frequency may be.
    Champagne’s moment
    David Myers writes from the shores of Lake Geneva in Switzerland – nice work if you can get it – asking us to sit down as we imbibe the revelation contained in an article from CNN that “No amount of alcohol is good for the heart”. We are unsure whether it is the message itself that he expects to give us the vapours, or the fact that the chair of the World Heart Federation advocacy committee that released the report is Beatriz Champagne. No cause for celebration either way.
    Pussy galore
    Our news report “Ancient Egyptians used bandages for medicine too” (15 January, p 20) caused ripples in our inbox. For Ian Gammie, it was our assertion that “until now, Egyptologists hadn’t found bandages used to dress the wounds of living ancient Egyptians”. As he points out, living ancient Egyptians are hard to come by these days.
    Others were more exercised by the mention of a dressing placed over a “puss-filled wound”. This seems to imply a degree of veneration of the feline form beyond even that familiar from ancient Egypt. Ken Hawkins wonders whether it was discovered using a CAT scan, a line that we will file under “timeless”.
    Fine words, buttered
    Talking of which, Feedback had considered correspondence closed on the age-old conundrum of why toast lands buttered-side down – except perhaps when its polarity is reversed by being attached to the back of a falling cat. Not so, judging by our post since its reappearance in our Twisteddoodles cartoon on 4 December last year.
    “Howdy Dr Feedback,” booms one missive from Heikki Henttonen in Espoo, Finland – a city where we seem to have quite a following, judging by our postbag – exhibiting both forthright charm and a suitable (and entirely justified) faith in our academic qualification. “How to make sure that your toast lands butter-side up,” he writes succinctly. “You should butter your toast on both sides.”
    Sensible advice. Although we shouldn’t be at all surprised if a double-buttered slice would never hit the floor, but instead remain suspended slightly above it, permanently rotating, unsure of which way up to land. You might call that a physics-violating perpetual motion machine; we just call it resonance.
    The universe against us
    The last word on the toast thing – until the next one – goes to our mathematics guru Ian Stewart at the University of Warwick, UK. “As regards toast landing butter side down, you might be interested in the article ‘Tumbling toast’, Murphy’s Law and the fundamental constants’ by Robert Matthews in European Journal of Physics 16 (1995) 172-176,” he writes.
    We most certainly would, since it contains the results of a model that applies Newton’s laws of motion with realistic parameters for the height of intelligent bipeds, the height of the tables they use and the nature of their toast to conclude that, if a slice of toast starts sitting butter-side up on a table, it will rotate more than 180 degrees but less than 360 degrees for any reasonable value for the initial speed at which it is nudged off, thus almost always landing buttered-side down.
    Further expressing the relations in terms of eight fundamental constants, including the gravitational and electromagnetic fine-structure constants and the Bohr radius, leads to a stark conclusion: in any universe that supports intelligent bipeds, toast will almost always fall buttered-side down. “This is the opposite of cosmological fine tuning: there is no way to fine-tune a universe to prevent this outcome,” Ian writes. “I call this the Anthropomurphic Principle.” Also timeless.
    Got a story for Feedback?Send it to feedback@newscientist.com or New Scientist, Northcliffe House, 2 Derry Street, London W8 5TTConsideration of items sent in the post will be delayed
    You can send stories to Feedback by email at feedback@newscientist.com. Please include your home address. This week’s and past Feedbacks can be seen on our website. More

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    160,000-year-old fossil may be the first Denisovan skull we've found

    A partial skull from China represents the earliest human with a “modern” brain size. It could represent an unknown group of ancient humans, or perhaps one of the enigmatic Denisovans

    Humans

    26 January 2022

    By Michael Marshall
    Fragments of a large ancient human skull known as Xujiayao 6Xiu-Jie Wu,Christopher J.Bae, Martin Friess, Song Xing, Sheela Athreya, Wu Liu
    An ancient human that lived in China at least 160,000 years ago had an unusually large brain for the time – comparable to the brain size of people alive today. The find is more evidence that hominin evolution went in many different directions, rather than taking a straight line from small brains to large ones.
    It is also possible that the skull belonged to a mysterious kind of hominin called a Denisovan. Very few Denisovan bones are known, so … More

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    The James Webb Space Telescope has reached its new home at last

    The James Webb Space Telescope has finally arrived at its new home. After a Christmas launch and a month of unfolding and assembling itself in space, the new space observatory reached its final destination, a spot known as L2, on January 24.

    But the telescope can’t start doing science yet. There are still several months’ worth of tasks on Webb’s to-do list before the telescope is ready to peep at the earliest light in the universe or spy on exoplanets’ alien atmospheres (SN: 10/6/21).

    “That doesn’t mean there’s anything wrong,” says astronomer Scott Friedman of the Space Telescope Science Institute in Baltimore, who is managing this next phase of Webb’s journey. “Everything could go perfectly, and it would still take six months” from launch for the telescope’s science instruments to be ready for action, he says.

    Here’s what to expect next.

    Life at L2

    L2, technically known as the second Earth-sun Lagrange point, is a spot about 1.5 million kilometers from Earth in the direction of Mars, where the sun and Earth’s gravity are of equal strength. Pairs of massive objects in space have five such Lagrange points, where the gravitational pushes and pulls from these celestial bodies essentially cancel each other out. That lets objects at Lagrange points stay put without much effort.

    The telescope, also known as JWST, isn’t just sitting tight, though. It’s orbiting L2, even as L2 orbits the sun. That’s because L2 is not precisely stable, Friedman says. It’s like trying to stay balanced directly on top of a basketball. If you nudged an object sitting exactly at that point, it would be easy to make it wander off. Circling L2 as L2 circles the sun in a “halo orbit” is much more stable — it’s harder to fall off the basketball when in constant motion. But it takes some effort to stay there.

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    “JWST and other astronomical satellites, which are said to be at L2 but are really in halo orbits, need propulsion to maintain their positions,” Friedman says. “For JWST, we will execute what we call station keeping maneuvers every 21 days. We fire our thrusters to correct our position, thus maintaining our halo orbit.”

    The amount of fuel needed to maintain Webb’s home in space will set the lifetime of the mission. Once the telescope runs out of fuel, the mission is over. Luckily, the spacecraft had a near-perfect launch and didn’t use much fuel in transit to L2. As a result, it might be able to last more than 10 years, team members say, longer than the original five- to 10-year estimate.

    [embedded content]
    Webb’s final destination is a spot in space called L2, about 1.5 million kilometers away from Earth. The telescope will actually orbit L2 as L2 orbits the sun (as shown in this animation). This special “halo orbit” helps the spacecraft stay in place without burning much fuel.

    Webb has one more feature that helps it stay stable. The telescope’s gigantic kitelike sunshield, which protects the delicate instruments from the heat and light of the sun, Earth and the moon, could pick up momentum from the stream of charged particles that constantly flows from the sun, like a solar sail. If so, that could push Webb off course. To prevent this, the telescope has a flap that acts as a rudder, said Webb sunshield manager Jim Flynn of Northrup Grumman in a January 4 news conference.

    Cooling down

    Webb sees in infrared light, wavelengths longer than what the human eye can see. But humans do experience infrared radiation as heat. “We’re essentially looking at the universe in heat vision,” says astrophysicist Erin Smith of NASA’s Goddard Space Flight Center in Greenbelt, Md., a project scientist on Webb.

    That means that the parts of the telescope that observe the sky have to be at about 40 kelvins (–233° Celsius), which nearly matches the cold of space. That way, Webb avoids emitting more heat than the distant sources in the universe that the telescope will be observing, preventing it from obscuring them from view.

    Most of Webb has been cooling down ever since the telescope’s sunshield unfurled on January 4. The observatory’s five-layer sunshield blocks and deflects heat and light, letting the telescope’s mirrors and scientific instruments cool off from their temperature at launch. The sunshield layer closest to the sun will warm to about 85° Celsius, but the cold side will be about –233° Celsius, said Webb’s commissioning manager Keith Parrish in a January 4 webcast.

    “You could boil water on the front side of us, and on the backside of us, you’re almost down to absolute zero,” Parrish said.

    One of the instruments, MIRI, the Mid-Infrared Instrument, has extra coolant to bring it down to 6.7 kelvins (–266° Celsius) to enable it to see even dimmer and cooler objects than the rest of the telescope. For MIRI, “space isn’t cold enough,” Smith says.

    Aligning the mirrors

    Webb finished unfolding its 6.5-meter-wide golden mirror on January 8, turning the spacecraft into a true telescope. But it’s not done yet. That mirror, which collects and focuses light from the distant universe, is made up of 18 hexagonal segments. And each of those segments has to line up with a precision of about 10 or 20 nanometers so that the whole apparatus mimics a single, wide mirror.

    Starting on January 12, 126 tiny motors on the back of the 18 segments started moving and reshaping them to make sure they all match up. Another six motors went to work on the secondary mirror, which is supported on a boom in front of the primary mirror.

    [embedded content]
    Before the James Webb Space Telescope can start observing the universe, all 18 segments of its primary mirror need to act as one 6.5-meter mirror. This animation shows the mirror segments moving, tilting and bending to bring 18 separate images of a star (light dots) together into a single, focused image.

    This alignment process will take until at least April to finish. In part, that’s because the movements are happening while the mirror is cooling. The changing temperature changes the shape of the mirrors, so they can’t be put in their final alignment until after the telescope’s suite of scientific instruments are fully chilled.

    Once the initial alignment is done, light from distant space will first bounce off the primary mirror, then the secondary mirror and finally reach the instruments that will analyze the cosmic signals. But the alignment of the mirror segments is “not just right now, it’s a continuous process, just to make sure that they’re always perfectly aligned,” Scarlin Hernandez, a flight systems engineer at the Space Telescope Science Institute in Baltimore said at a NASA Science Live event on January 24. The process will continue for the telescope’s lifetime.

    Calibrating the science instruments

    While the mirrors are aligning, Webb’s science instruments will turn on. Technically, this is when Webb will take its first pictures, says astronomer Klaus Pontoppidan, also of the Space Telescope Science Institute. “But they’re not going to be pretty,” Pontoppidan says. The telescope will first test its focus on a single bright star, bringing 18 separate bright dots into one by tilting the mirrors.

    After a few final adjustments, the telescope will be “performing as we want it to and presenting beautiful images of the sky to all the instruments,” Friedman says. “Then they can start doing their work.”

    These instruments include NIRCam, the primary near-infrared camera that will cover the range of wavelengths from 0.6 to 5 micrometers. NIRCam will be able to image the earliest stars and galaxies as they were when they formed at least 12 billion years ago, as well as young stars in the Milky Way. The camera will also be able to see objects in the Kuiper Belt at the edge of the solar system and is equipped with a coronagraph, which can block light from a star to reveal details of dimmer exoplanets orbiting it.

    Next up is NIRSpec, the near-infrared spectrograph, which will cover the same range of light wavelengths as NIRCam. But instead of collecting light and turning it into an image, NIRSpec will split the light into a spectrum to figure out an object’s properties, such as temperature, mass and composition. The spectrograph is designed to observe 100 objects at the same time.

    MIRI, the mid-infrared instrument, is kept the coldest to observe in the longest wavelengths, from 5 to 28 micrometers. MIRI has both a camera and a spectrograph that, like NIRCam and NIRSpec, will still be sensitive to distant galaxies and newborn stars, but it will also be able to spot planets, comets and asteroids.

    And the fourth instrument, called the FGS/NIRISS, is a two-parter. FGS is a camera that will help the telescope point precisely. And NIRISS, which stands for near-infrared imager and slitless spectrograph, will be specifically used to detect and characterize exoplanets.

    [embedded content]
    The James Webb Space Telescope’s science instruments are stored behind the primary mirror (as shown in this animation). Light from distant objects hits the primary mirror, then the secondary mirror in front of it, which focuses the light onto the instruments.

    First science targets

    It will take at least another five months after arriving at L2 to finish calibrating all of those science instruments, Pontoppidan says. When that’s all done, the Webb science team has a top secret plan for the first full color images to be released.

    “These are images that are meant to demonstrate to the world that the observatory is working and ready for science,” Pontoppidan says. “Exactly what will be in that package, that’s a secret.”

    Partly the secrecy is because there’s still some uncertainty in what the telescope will be able to look at when the time comes. If setting up the instruments takes longer than expected, Webb will be in a different part of its orbit and certain parts of the sky will be out of view for a while. The team doesn’t want to promise something specific and then be wrong, Pontoppidan says.

    But also, “it’s meant to be a surprise,” he says. “We don’t want to spoil that surprise.”

    Webb’s first science projects, however, are not under wraps. In the first five months of observations, Webb will begin a series of Early Release Science projects. These will use every feature of every instrument to look at a broad range of space targets, including everything from Jupiter to distant galaxies and from star formation to black holes and exoplanets.

    Still, even the scientists are eager for the pretty pictures.

    “I’m just very excited to get to see those first images, just because they will be spectacular,” Smith says. “As much as I love the science, it’s also fun to ooh and ahh.”    More

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    An X-ray glow suggests black holes or neutron stars fuel weird cosmic ‘cows’

    A brilliant blast from a galaxy 2 billion light-years away is the brightest cosmic “Cow” found yet. It’s the fifth known object in this new class of exploding stars and their long-glowing remnants, and it’s giving astronomers even more hints of what powers these mysterious blasts.

    These Cow-like events, named for the first such object discovered in 2018 — which had the unique identifier name of AT2018cow — are a subclass of supernova explosions, making up only 0.1 percent of such cosmic blasts (SN: 6/21/19). They brighten quickly, glow brilliantly in ultraviolet and blue light and continue to show up for months in higher-energy X-rays and lower-energy radio waves.

    X-rays from the newest discovery, dubbed AT2020mrf, glowed 20 times as bright as the original Cow a month after the blast, Caltech astronomer Yuhan Yao reported January 10 at a virtual news conference held by the American Astronomical Society. And even one year after this new object’s discovery, its X-rays were 200 times as bright as those from the original Cow. Yao and colleagues also reported the results in a paper submitted December 1 at arXiv.org.

    Unraveling all that took a bit of time. The Zwicky Transient Facility at Caltech’s Palomar Observatory near San Diego, Calif., initially noted a bright new burst of light June 12, 2020, but astronomers didn’t realize what it was at the time.

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    Then in April 2021, researchers with the Spektrum-Roentgen-Gamma (SRG) space telescope, which studies X-ray light, alerted Yao and her colleagues to an interesting signal in SRG data from July 21–24, 2020, at the same spot in the sky. “I almost immediately realized that this might be another Cow-like event,” says Yao. The astronomers sprang to action and looked at that location with multiple other observatories in different kinds of light.

    One of those observatories was the space-based Chandra X-ray Observatory, the world’s most powerful X-ray telescope. In June 2021, a year after the original supernova blast, it captured X-rays from the same location. The source’s signal “was 10 times brighter than what I expected,” says Yao, and 200 times as bright as the original Cow was a year post-explosion.

    Even more exciting was that the strengths of both the Chandra X-ray detection and the original SRG X-ray observations also changed within hours to days. That flaring characteristic, it turns out, can tell astronomers a lot.

    “X-rays give us information of what’s happening at the heart of these events,” says MIT astrophysicist DJ Pasham, who has studied the original Cow but was not part of this new study. “The duration of the flare gives you a sense of how compact or how big the object is.”  

    A compact object like an actively eating black hole or a rapidly spinning and highly magnetic neutron star would create the strong and variable X-ray signals that were seen, Yao says. These were the two most probable leftover remnants of the original cosmic Cow as well, but the AT2020mrf observations provide even greater certainty (SN: 12/13/21).

    Further observations and catching these objects earlier in the act with multiple types of light will help researchers learn more about this new class of supernovas and what type of star eventually explodes as a Cow. More

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    Otherlands review: A fascinating journey through Earth's history

    By Gege Li

    An artist’s impression of how Earth’s first multicellular animals looked on the sea floorMark Garlick/Science Photo Library
    Book
    Otherlands: A world in the making
    Thomas HallidayAdvertisement

    OUR planet has existed for some 4.5 billion years In that time, it has undergone extraordinary changes, with landscapes and life forms that would seem almost alien to us today. Yet clues to their existence and fate can be found buried deep within Earth’s layers.
    Otherlands by palaeobiologist Thomas Halliday provides a unique portrait of these strange and remarkable environments and the species that inhabited them. Through rich, detailed descriptions of ancient organisms and geological processes that draw on the fossil record and his own imagination, Halliday transports us back through deep time, from the relatively recent – tens of thousands of years ago – to when complex life first emerged in the Ediacaran period hundreds of millions of years ago.
    Each chapter spans a geological time period, focusing on a specific part of the world that stands out either for the quality of the fossil evidence or a notable event.
    Halliday is careful to not only give attention to charismatic animals like dinosaurs and woolly mammoths, but also to plants, land masses and oceans, using the latest research to back up his conclusions.
    In one chapter, we discover that giant penguins flourished in the then-rainforests of Antarctica during the Eocene. In another, how Jurassic seas in what is now Germany contained vast tropical reefs built by glass sponges that looked like “frozen lace”, as marine pterosaurs soared in the skies overhead. We also see how, during the Devonian period, Scotland was home to metres-high fungi that would have resembled “half-melted grey snowmen”.
    As well as painting an intricate picture of the worlds that once existed, Halliday also highlights the fleeting existence of humanity. Our ancestors make the briefest splash onto the scene in the Pliocene around 4 million years ago, when early hominins appeared in the fossil record in what is now Kanapoi in Kenya.
    If Earth’s history were squeezed into a single day, written human history would make up the last 2 thousandths of a second, Halliday points out. And yet “our species has an influence unlike almost any other biological force”. It is also far more destructive than the prominent natural disasters of the past.
    Here, the book carries a clear message: that we must do something about the urgent climate situation we find ourselves in and the coming human-induced mass extinction. This, he argues, warrants a meticulous look back through Earth’s palaeontological record to understand how things might turn out in the future, and how we might take control of them.
    This message is, by now, one we are used to hearing. For me, the most distinctive feature of the book is the way that Halliday chooses to describe the past. He encourages us to treat his writings like “a naturalist’s travel book, albeit one of lands distant in time rather than space”. This provides a sense of adventure and exploration where we see “short willows write wordless calligraphy in the wind” 20,000 years ago, or walk across “centuries-old mattresses of conifer needles” 41 million years ago.
    It is refreshing to come across a book on palaeontology and geology that doesn’t just state what we know and why. Instead, Halliday uses scientific information to provide insights into worlds long gone. He is appropriately lavish in his depiction of the variety and resilience of life, without compromising on scientific accuracy.
    To read Otherlands is to marvel not only at these unfamiliar lands and creatures, but also that we have the science to bring them to life in such vivid detail.

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    Hard to Be a God: An 80s classic shows modern sci-fi how it’s done

    Peter Fleischmann’s Hard to Be a God (1989) is a vintage sci-fi gemPhoto 12/Alamy
    Film
    Hard to Be a God (1989)
    Peter FleischmannAdvertisement
    THE scrabble for dominance in sci-fi and fantasy streaming continues to heat up. At the time of writing, Paramount had decided to pull season four of Star Trek: Discovery from Netflix and screen it instead on its own platform; HBO has cancelled one Game of Thrones spin-off to concentrate on another, writing off $30 million in the process; and Amazon Studios’ prequel to The Lord of the Rings, set millennia before the events of The Hobbit, is reputed to cost almost five times as much per season to produce as Game of Thrones.
    All of this upheaval in the production of new sci-fi and fantasy has an unexpected benefit for viewers. While the wheels of production slowly turn, channel programmers are turning to historical material to feed our appetite for the genre. For obvious reasons, David Lynch’s 1984 film Dune is streaming on every major service, while on Amazon Prime Video, you can – and absolutely should – find Peter Fleischmann’s 1989 classic, Hard to Be a God. It is a West German-Soviet-French-Swiss co-production based on the 1964 novel of the same name by Soviet sci-fi writers Arkady and Boris Strugatsky.
    The story is set in the “Noon Universe”, when humanity has evolved beyond money, crime and warfare to achieve an anarchist techno-utopia. Self-appointed “progressors” cross interstellar space to secretly guide the fate of other, less sophisticated humanoid civilisations.
    “Progressors have evolved past their propensity for violence, but have lost the knack of human connection”
    Anton, an agent of Earth’s Institute of Experimental History, is sent to spy on the city of Arkanar on a far-flung Earth-like planet that is falling under the sway of Reba, the kingdom’s reactionary first minister. Palace coups, mass executions and a peasant war drive Anton from his initial position of professional indifference, first to depression, drunkenness and despair, then ultimately to a fiery and controversial commitment to Arkanar’s revolution.
    It isn’t an expected turn of events, given that progressors like Anton are supposed to have evolved past their propensity for violence. But this isn’t the only problem that comes to light during Anton’s mission. The supposedly advanced humans also seem to have lost the knack of human connection.
    Anton, portrayed by Edward Zentara, eventually comes to realise this for himself. “We were able to see everything that was happening in the world,” he tells an Arkanaran companion, breaking his own cover as he does so. “We saw all the misery, but couldn’t feel sympathy any more.”
    Anton’s intense and horrifying experiences in Arkanar, where every street and rock outcrop has a dangling corpse as a warning from Reba, don’t only affect him. His mission is being watched from orbit by Earth’s other progressors, who struggle to learn from his example and make up for their shortcomings.
    The overall message of the film is a serious one: virtue is something we have to strive for in our lives; goodness doesn’t always come naturally.
    Comparable to Lynch’s Dune in its ambition, and far more articulate, Fleischmann’s upbeat but moving Hard to Be a God reminds us that sci-fi cinema in the 1980s set a very high bar indeed. We can only hope that this year’s TV epics and cinema sequels put as much effort into their stories as they do their production design and special effects.
    Simon also recommends… More