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    Don’t Miss: Fantastic Beasts at London’s Natural History Museum

    Visit
    Fantastic Beasts, both real and magical, stalk London’s Natural History Museum until 3 January, revealing how mythical and imaginary creatures are inspired by real-life animals. With nods to all the connected films.

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    The Ascent of Information, by astronomer Caleb Scharf, argues that data of all sorts is really an aggregated organism, controlling our behaviour and evolving alongside us. Terrifyingly, it has goals and needs.
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    Apples, directed by Christos Nikou, is a much-praised comedy-drama about a man developing a new identity after an amnesia pandemic. Available on demand from Curzon Home Cinema. See a full review on our website. More

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    Parallel review: A multiverse movie packed with sharp ideas

    By Simon Ings

    Georgia King plays failing artist Leena in ParallelShane Harvey
    Parallel
    Isaac Ezban
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    WHAT if you could step through a mirror and visit other versions of the world? Would you explore these alternate Earths? Would you try to find a better home for yourself – in a world, perhaps, where a loved one hasn’t died?
    Or, as happens in Parallel, Mexican director Isaac Ezban’s first English-language thriller, would you simply go around stealing?
    Of the four young friends who discover a dimensional portal in the attic of their rental, only Devin (Aml Ameen) thinks it might be a means of personal salvation. As a boy, he flew into a rage at his fraudster father, who killed himself the next day. Now Devin is in search of a version of the world where his father lives, and the rift can be healed.
    His friends, however, simply want to get rich. The four have been working together on a parking app called Meter Maid: an idea so uninteresting, I wonder if it is meant as an early comment on their lack of real talent.
    Behind their mirror, through which they pass, Alice-fashion, into other versions of the world, time runs faster. For a moment, it seems that to get stupidly rich, all they have to do is bring back the winning lottery numbers from alternate realities. But the worlds they visit, though very similar, are different enough that the winning numbers don’t match up.
    Is there a way to exploit these little differences? Screenwriter Scott Blaszak’s first feature fizzes with incidental invention as the friends explore the commercial and financial angles of their multiverse. Their solutions are tailored to character. In the end, Josh (Mark O’Brien), the group lightweight, goes chasing women across the multiverse. Meanwhile, failing artist Leena (Georgia King) fills portfolios with plagiarised pictures and Noel (Martin Wallström, effectively reprising his role in Mr Robot) steals the intellectual property of unwitting inventors. No spoilers about the end result of all this, but it is a catastrophe worth waiting for.
    “Handed a world of infinite possibility, all the film’s characters can do is play out their failings”
    Parallel is no masterpiece. Made on a shoestring, and boasting a silly and intrusive soundtrack, its fairly familiar premise depends on the sharpness of its ideas. Luckily, Blaszak knows what he is doing, and has given us characters who, while engaging enough, aren’t good people. Handed a world of infinite possibility, all they can do is play out their failings.
    They aren’t even very curious. Bankrolled with money stolen from their “alt” selves, they consume, but they cannot create. Their cruelty is as devastating as it is casual. By bringing an alt Josh into our world, Noel destroys at least one innocent life. Then the alt Josh begins to mentally disintegrate, tormented by the tiny but ubiquitous differences between his world and ours.
    Ezban’s direction is efficient, more than inspired. Those wondering what he could achieve on a bigger budget might not have too long to wait. He has been hired by Sony Pictures to direct the adaptation of Dan Simmons’s horror novel Summer of Night.
    Meanwhile, Parallel is a well-constructed calling card. It is a film with heroes that are meant to be likeable, flawed as they are. Pulling its punches in this way gives the enterprise a curiously dated feel. I was reminded in particular of Joel Schumacher’s Flatliners and The Lost Boys. Not every movie has to plummet the depths of despair, of course. But I do wish Parallel‘s cast (Wallström in particular) had been handed more of an opportunity to chew up the set.

    Simon also recommends…
    The Man in the High Castle
    Philip K. Dick
    This alternate history traces the lives upended by intrigues between Imperial Japan and Nazi Germany, the post-war rulers of the southern and western United States.
    The Butterfly Effect
    Eric Bress and J. Mackye Gruber
    Writer-directors Bress and Mackye Gruber (later of TV’s Kyle XY fame) created a low-budget mind-bender, as Evan Treborn (Ashton Kutcher) travels through his memories to fix his past.

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    How gardeners can help plant-eating insects instead of killing them

    By Clare Wilson

    Duncan Mcewan/naturepl.com
    AS MOST of the UK recovers from a frigid April and a soggy May, its gardens are starting to perk up. That means so are caterpillars, aphids such as greenflies, and other plant-feeding invertebrates generally seen as the gardener’s foes.
    A common reaction to seeing prized plants covered with bugs is to reach for the pesticide spray. But we should temper that instinct, says Andrew Salisbury, principal entomologist at the UK Royal Horticultural Society. Many invertebrate species in the UK and elsewhere are in decline, and gardens can be a haven – the UK’s home gardens collectively add up … More

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    The biggest flaw in human decision-making – and how to fix it

    Behavioural scientists Daniel Kahneman and Olivier Sibony explain why “noise” in professional judgements harms everything from criminal justice to medical treatments

    Humans

    16 June 2021

    By Graham Lawton

    Siegfried Layda/Getty Images
    If you have ever jumped to the wrong conclusion, made a terrible mistake thanks to your inbuilt biases or been subtly nudged back to your senses, then you are (a) human and (b) already on personal terms with the work of Daniel Kahneman, Olivier Sibony and Cass Sunstein. Thanks to their academic and popular writing, the world is now very familiar with what are collectively called “cognitive biases” – systematic errors in human thinking – and ways to correct them.
    Sunstein co-wrote the highly influential book Nudge: Improving decisions about health, wealth and happiness with Richard Thaler, while Kahneman popularised the work that won him the Nobel prize in economics in 2002 with his book Thinking, Fast and Slow. Sibony is the author of You’re About to Make a Terrible Mistake: How biases distort decision-making and what you can do to fight them.
    You may think that, in no small part thanks to their efforts, the swamp of human fallibility has been well and truly drained by now. But that would be yet another mistake. Kahneman, Sibony and Sunstein say there is an even more important source of warped decision-making. The three have banded together in a behavioural science supergroup to draw attention to what they call “noise” – persistent inconsistencies in professional judgements that lead to bad outcomes in all walks of life.
    Kahneman and Sibony spoke to New Scientist about the group’s new book Noise: A flaw in human judgment (Little, Brown Spark in the UK; William Collins in the US). Sunstein was due to join the conversation, but was called away at the last minute by his … More

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    Awake review: What would happen if nobody could sleep?

    By Gregory Wakeman

    (L-R) Lucius Hoyos as Noah, Gina Rodriguez as Jill, Ariana Greenblatt as MatildaPeter H. Stranks/NETFLIX
    In the dystopian sci-fi movie Awake, everyone on Earth suddenly loses the ability to sleep, plunging the world into hysteria.
    As scientists race to find a cure, ex-soldier Jill Adams (Gina Rodriguez) discovers that her young daughter Matilda (Ariana Greenblatt) might just possess the means to save mankind.
     Awake’s compelling premise is enough to make the opening of the film enjoyable. Director Mark Raso slowly cranks up the tension – there are some unsettling set pieces, and the film doesn’t waste time trying to explain the phenomenon. Instead, the slow reveal of information does enough to keep you hooked.Advertisement
    Unfortunately, though, Awake soon goes off the rails. Raso is constantly trying to create the same mindset of those who are unable to sleep in the viewers, but it just makes things increasingly confusing.
    It also doesn’t help that, by only following Jill’s relationship with Matilda and her son Noah (Lucius Hoyos), Awake is too contained. We learn very little about what’s going on across the world, so when symptoms suddenly escalate and humanity descends into anarchy, it has very little impact.
    But what would actually happen if you suddenly couldn’t sleep?

    Alastair McLean at Queen’s University in Kingston, Ontario, who specialises in sleep deprivation, says its biggest impact is on interpersonal interactions, as people quickly become quite irritable.
    “In terms of performance, one of the most obvious things that happens are microsleeps,” says McLean, in which people fall asleep for up to 30 seconds and can’t remember what happened. “They can occur after 24 hours.”
    [embedded content]
    There is also cognitive slowing, which sees people taking longer to make decisions, and cognitive rigidity, in which individuals can only think about things in one fixed way. Loss of motivation, paranoia, memory and balance issues, mood changes and visual problems can also occur, while some people experience hallucinations and even speech difficulties.
    In 1963, 17-year-old Randy Gardner set the record for the longest time a human had gone without sleep, staying awake for 11 days and 25 minutes. Finland’s Toimi Soini and the UK’s Maureen Weston and Tony Wright have allegedly beaten this time, but none of them were studied as closely as Gardner.
    Studies of sleep deprivation on animals have also proven to be revealing. “In 1989, Allan Rechtschaffen and his Chicago group studied rats that were sleep deprived. After two to three weeks, they started to die,” says McLean. “You saw the same pattern in all of them. They began to eat more and more as the sleep loss went on. Despite that, they had a fall in body weight.”

    A 2020 study by researchers at Harvard Medical School on sleep deprivation in fruit flies also provided the same outcome. The more they didn’t sleep, the greater the increase in a molecule in the gut known as reactive oxidative species.
    “If they gave the fruit flies materials to offset the effects of this, they didn’t die,” says McLean. “We’ve been looking for the effects of sleep deprivation in the brain. It looks, though, that it’s the gut that may be critical when it comes to survival.”
    Based on the trailer for Awake, McLean agrees that it looks accurate in its use of disorientation and even hallucinations, but says it appears to exaggerate the problems and even speed up the timeframe in which they occur.
    By doing just, that Awake strains to repeat the success of thrillers like A Quiet Place and Bird Box. But not only does it lack the ingenuity, tension and star power of these films, it is too aimless, meandering and lacking in heart to come close.
    Awake is now available on Netflix .

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    Removing junk food from our diets will be no easy task

    Ilka & Franz/Getty Images
    ALMOST every month, a new piece of research emerges linking diets high in processed “junk” foods with obesity and poor health. It isn’t yet clear if the relationship is causal, and if so, what the mechanisms behind it may be. But insights are starting to emerge from trials that compare diets that are based on either ultra-processed foods or wholefoods, yet are carefully matched for nutrients in all other ways.
    The links need investigating as a matter of urgency. If these processed foods really do carry intrinsic health risks, it could mean that official advice about healthy eating has been … More

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    Quantum Life review: One man's journey from the streets to the stars

    By Vijaysree Venkatraman

    Hakeem Oluseyi, speaking at NASA’s Earth Day event in 2017NASA/Joel Kowsky
    A Quantum Life: My unlikely journey from the street to the stars
    Hakeem Oluseyi and Joshua Horwitz
    Ballantine BooksAdvertisement

    THEY called him “the professor” because, by the age of 10, he was already reading every book he could lay his hands on. In the sixth grade, he scored 162 on an IQ test at school. Still, by the time he was in his teens, the certified genius was dealing weed and carrying a gun for protection.
    “If anyone had told me I’d grow up to be an actual professor at MIT, UC Berkeley, and the University of Cape Town, I wouldn’t have believed them,” writes astrophysicist Hakeem Oluseyi in his inspiring memoir A Quantum Life. The book follows his “unlikely journey from the street to the stars”.
    Born James Edward Plummer Jr, Oluseyi was often uprooted as a child, and learned to survive in some of the toughest urban neighbourhoods across the US. He also lived in rural Mississippi, a state where older African American people still addressed white people, including children, as “ma’am” and “sir”.
    “Albert Einstein and I would have been friends,” he recalls thinking when he read about the scientist. Einstein, too, was told to “stop staring into space”, and his family moved often. He also featured when Oluseyi taught himself to program at high school. He coded concepts of Einstein’s theory of special relativity into a game and won first place in physics in the Mississippi State Science Fair.
    To fund college, he joined the navy. But after two years, he was discharged with atopic dermatitis, which barred him from serving on ships. An old friend encouraged him to enrol at Tougaloo College in Jackson, Mississippi. The pair sold drugs there and dropped out, but Oluseyi re-enrolled.
    This time, David Teal, a white, Harvard-educated professor in the historically Black college, took an interest in Oluseyi, urging him to attend a meeting of African American physicists at the Massachusetts Institute of Technology. The experience felt like an “alien abduction”, writes Oluseyi, but it gave him a clear goal: to apply to graduate programmes.
    “Every year,” he writes, “the Stanford physics department took in one student like me – a diversity admission who wasn’t at the same level of academic preparation as the rest of the class.” It would take a lot more than hard work alone to earn his PhD there, but he was up for the challenge (and later a change of name).
    “It would take a lot more than hard work to earn his PhD, but Hakeem Oluseyi was up for the challenge”
    Besides, his doctoral adviser was Arthur B. C. Walker. The African American astrophysicist, whose telescopes gave unprecedented views of the sun, had mentored students from under-represented groups in physics. Sally Ride, the first US woman in space, was his first doctoral student.
    Walker told Oluseyi that some still believed that while Black scientists could build ingenious gadgets, they weren’t gifted enough to make insights in pure physics or in the analyses of data and observations. While Walker got credit for his novel technology to study the sun, doubters said he had few pure science publications. Oluseyi worked with his mentor to seal his legacy before Walker died in 2001.
    Today, Oluseyi is one of a handful of Black astrophysicists, but he has been working to change that. In 2008, he received a grant from the Kellogg Foundation to set up a mentoring programme for Black astronomy students in South Africa. They were brilliant, but felt second-class at university, says Oluseyi. He shared his struggles as he taught the students advanced topics. They passed in the top 20 per cent of the class.
    South Africa will eventually co-host the Square Kilometer Array (SKA), the world’s most powerful radio telescope cluster. Four of Oluseyi’s students are in the front row of a SKA team photo. He wasn’t there, but says “believe me, I’m standing tall and proud… next to them”.
    Vijaysree Venkatraman is a Boston-based science journalist

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    Don't Miss: Data art with David Spiegelhalter and Stefanie Posavec

    Klaus Vedfelt/Getty Images
    Watch
    The Art Of Data is explored by statistician David Spiegelhalter and data artist Stefanie Posavec at Cheltenham Science Festival, in a talk that will be live-streamed on YouTube on 13 June at 9.15pm BST.

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    The Glitter in the Green catches the eye of naturalist Jon Dunn, who writes about his travels the length and breadth of the Americas in search of hummingbirds, from woodlands to deserts, mangrove swamps to sub-polar islands.Advertisement
    The National Museum of Computing
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    The Polish Cyclometer, an Enigma-cracking machine built by Polish mathematicians, is the subject of a virtual talk by Jerry McCarthy at the UK’s National Museum of Computing on 13 June at 5pm BST and 14 June at 11am BST. More