Humans

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Moonfall sees director Roland Emmerich try to top his other disaster films, such as The Day After Tomorrow and Independence Day, by knocking the moon out of orbit and crashing it into Earth. In cinemas from 4 February.

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The Man Who Tasted Words and other unusually gifted or affected people are the subject of neurologist Guy Leschziner’s journey through our senses, setting out how we use them to understand the complexities of the world around us.Advertisement
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Thao Nguyen Phan has combined videos, silk paintings and mixed media to explore the history, industry and contested future of Vietnam’s Mekong river. The exhibition runs at Tate St Ives, UK, from 5 February.

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By Michael Marshall

WHO were the first people to reach the Americas? When did they get there, and how? These are among the most mysterious questions in prehistory, and have long been studied using traditional archaeology: bones, artefacts and so on. In recent years, however, the field has been revolutionised by genetic data. DNA from living people and preserved remains has both enhanced and transformed our understanding of the continents’ First Peoples (those who were on the continent before Europeans arrived) and how they got there.
Jennifer Raff is a genetic anthropologist at the University of Kansas who has been involved in many studies of ancient American DNA, so she is an ideal guide to the subject. Her book Origin bills itself as “a genetic history of the Americas”, and it largely delivers on that promise. The final third of the book, in particular, draws on genetic and archaeological evidence to tell the story as we see it now. This section is a model of clear and nuanced explanation: Raff highlights the uncertainties and caveats, but doesn’t allow them to overwhelm the story.
The earlier part of the book is less clear in places. Raff re-examines not only some of the Americas’ most important digs, but the problems inherent in interpreting the evidence from artefacts alone, before the advent of genetic technology.
She recounts, for example, how archaeologists were convinced that the first people in the Americas were the Clovis, who made a distinctive kind of stone tool. This idea became dogma, and any archaeological sites that seemed older than the Clovis were dismissed – often on flimsy grounds. Only in the past decade or so has pre-Clovis settlement become accepted.
Then there is the question of how the First Peoples got there. All the evidence suggests that they came from Asia, but there is an open question over the route they took. The evidence is complex and contradictory, and Raff is admirably fair-minded in the way she handles it.
These sections are crucial to the story because they elucidate just how much light genetics has been able to shed on the big mysteries. Unfortunately, they jump back and forth in time, both in prehistory and in the historical sequence in which the discoveries were made, which can get a little confusing. The problem is exemplified by the first page, where an arresting anecdote is interrupted by four footnotes.
Despite this, Origin has many strengths. Raff is a critical historian of her own field, who casts a beady eye over the crimes and misdemeanours committed by earlier generations of archaeologists in the Americas. She argues that the story of anthropology in the Americas cannot be separated from the genocide perpetrated by Europeans on First Peoples. Archaeologists frequently dug up buried bodies without consulting local Native American groups, who regard the bodies as their own ancestors – a belief that has often been validated by genetic evidence.
These attitudes also fed into scientists’ conclusions. When huge artificial structures were found in North America, Europeans attributed them to a lost group of “Mound Builders” and argued that they couldn’t be the work of First Peoples.
“Raff casts a beady eye over the crimes and misdemeanours of earlier generations of archaeologists”
It will make uncomfortable reading for people still wrestling with the legacy of the European colonial empires. Some scientists may prefer that these darker episodes not be mentioned, but I tend to agree with Raff that it is crucial to face them head on. She argues that scientists studying the history and culture of Indigenous peoples anywhere in the world must be in constant dialogue with them: asking permission before conducting new studies and asking what the Indigenous peoples themselves want to know.
Minor niggles aside, then, Origin is a very human book. The settlement of the Americas isn’t simply a scientific mystery to be solved. For Raff, studying the First Peoples is also about learning collaboratively and healing the wounds of history.

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A partial skull from China represents the earliest human with a “modern” brain size. It could represent an unknown group of ancient humans, or perhaps one of the enigmatic Denisovans

Humans

26 January 2022

By Michael Marshall
Fragments of a large ancient human skull known as Xujiayao 6Xiu-Jie Wu,Christopher J.Bae, Martin Friess, Song Xing, Sheela Athreya, Wu Liu
An ancient human that lived in China at least 160,000 years ago had an unusually large brain for the time – comparable to the brain size of people alive today. The find is more evidence that hominin evolution went in many different directions, rather than taking a straight line from small brains to large ones.
It is also possible that the skull belonged to a mysterious kind of hominin called a Denisovan. Very few Denisovan bones are known, so … More

Our life satisfaction is shaped by many things including our genes and relative wealth, but there is now good evidence that you can boost your basic happiness with these key psychological strategies

Humans

19 January 2022

By David Robson
Tara Moore/Getty Images; Matt Dartford
WHAT MAKES PEOPLE HAPPY?
You probably know the type: those Pollyannas who seem to have a relentlessly sunny disposition. Are they simply born happy? Is it the product of their environment? Or does it come from their life decisions?
If you are familiar with genetics research, you will have guessed that it is a combination of all three. A 2018 study of 1516 Norwegian twins suggests that around 30 per cent of the variance in people’s life satisfaction is inherited. Much of this seems to be related to personality traits, such as neuroticism, which can leave people more vulnerable to anxiety and depression, and extraversion, which encourages more gregarious behaviour. Both traits are known to be influenced by a range of genes.
To put this in context, the heritability of IQ is thought to hover around 80 per cent, so environmental factors clearly play a role in our happiness. These include our physical health, the size and strength of our social network, job opportunities and income. The effect of income, in particular, is nuanced: it seems that the absolute value of our salary matters less than whether we feel richer than those around us, which may explain why the level of inequality predicts happiness better than GDP.
Interestingly, many important life choices have only a fleeting influence on our happiness. Consider marriage. A 2019 study found that, on average, life satisfaction does rise after the wedding, but the feeling of married bliss tends to fade over middle age. Needless to say, this depends on the quality of the relationship: marriage’s impact on well-being is about twice as large … More

By Gege Li

An artist’s impression of how Earth’s first multicellular animals looked on the sea floorMark Garlick/Science Photo Library
Book
Otherlands: A world in the making
Thomas HallidayAdvertisement

OUR planet has existed for some 4.5 billion years In that time, it has undergone extraordinary changes, with landscapes and life forms that would seem almost alien to us today. Yet clues to their existence and fate can be found buried deep within Earth’s layers.
Otherlands by palaeobiologist Thomas Halliday provides a unique portrait of these strange and remarkable environments and the species that inhabited them. Through rich, detailed descriptions of ancient organisms and geological processes that draw on the fossil record and his own imagination, Halliday transports us back through deep time, from the relatively recent – tens of thousands of years ago – to when complex life first emerged in the Ediacaran period hundreds of millions of years ago.
Each chapter spans a geological time period, focusing on a specific part of the world that stands out either for the quality of the fossil evidence or a notable event.
Halliday is careful to not only give attention to charismatic animals like dinosaurs and woolly mammoths, but also to plants, land masses and oceans, using the latest research to back up his conclusions.
In one chapter, we discover that giant penguins flourished in the then-rainforests of Antarctica during the Eocene. In another, how Jurassic seas in what is now Germany contained vast tropical reefs built by glass sponges that looked like “frozen lace”, as marine pterosaurs soared in the skies overhead. We also see how, during the Devonian period, Scotland was home to metres-high fungi that would have resembled “half-melted grey snowmen”.
As well as painting an intricate picture of the worlds that once existed, Halliday also highlights the fleeting existence of humanity. Our ancestors make the briefest splash onto the scene in the Pliocene around 4 million years ago, when early hominins appeared in the fossil record in what is now Kanapoi in Kenya.
If Earth’s history were squeezed into a single day, written human history would make up the last 2 thousandths of a second, Halliday points out. And yet “our species has an influence unlike almost any other biological force”. It is also far more destructive than the prominent natural disasters of the past.
Here, the book carries a clear message: that we must do something about the urgent climate situation we find ourselves in and the coming human-induced mass extinction. This, he argues, warrants a meticulous look back through Earth’s palaeontological record to understand how things might turn out in the future, and how we might take control of them.
This message is, by now, one we are used to hearing. For me, the most distinctive feature of the book is the way that Halliday chooses to describe the past. He encourages us to treat his writings like “a naturalist’s travel book, albeit one of lands distant in time rather than space”. This provides a sense of adventure and exploration where we see “short willows write wordless calligraphy in the wind” 20,000 years ago, or walk across “centuries-old mattresses of conifer needles” 41 million years ago.
It is refreshing to come across a book on palaeontology and geology that doesn’t just state what we know and why. Instead, Halliday uses scientific information to provide insights into worlds long gone. He is appropriately lavish in his depiction of the variety and resilience of life, without compromising on scientific accuracy.
To read Otherlands is to marvel not only at these unfamiliar lands and creatures, but also that we have the science to bring them to life in such vivid detail.

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The Weaponisation of Everything explores how old-style warfare has been replaced by disinformation, espionage, crime and subversion. According to security expert Mark Galeotti, this may turn out to be a good thing.

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The Orbital Children is a dizzying sci-fi anime series set in a future where AI has given people the freedom to travel through space. When a group of children get stranded on a space station they must fight to survive. On Netflix from 28 January.
Bassam Al-Sabah, I AM ERROR, 2021. Video HD, 28 min. Film still. Commissioned by Gasworks
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I Am Error at the De La Warr Pavilion in Bexhill-on-Sea, UK, sees artist Bassam Al-Sabah weave together video, painting and sculpture to explore how masculinity is represented in computer games. From 30 January.

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Peter Fleischmann’s Hard to Be a God (1989) is a vintage sci-fi gemPhoto 12/Alamy
Film
Hard to Be a God (1989)
Peter FleischmannAdvertisement
THE scrabble for dominance in sci-fi and fantasy streaming continues to heat up. At the time of writing, Paramount had decided to pull season four of Star Trek: Discovery from Netflix and screen it instead on its own platform; HBO has cancelled one Game of Thrones spin-off to concentrate on another, writing off $30 million in the process; and Amazon Studios’ prequel to The Lord of the Rings, set millennia before the events of The Hobbit, is reputed to cost almost five times as much per season to produce as Game of Thrones.
All of this upheaval in the production of new sci-fi and fantasy has an unexpected benefit for viewers. While the wheels of production slowly turn, channel programmers are turning to historical material to feed our appetite for the genre. For obvious reasons, David Lynch’s 1984 film Dune is streaming on every major service, while on Amazon Prime Video, you can – and absolutely should – find Peter Fleischmann’s 1989 classic, Hard to Be a God. It is a West German-Soviet-French-Swiss co-production based on the 1964 novel of the same name by Soviet sci-fi writers Arkady and Boris Strugatsky.
The story is set in the “Noon Universe”, when humanity has evolved beyond money, crime and warfare to achieve an anarchist techno-utopia. Self-appointed “progressors” cross interstellar space to secretly guide the fate of other, less sophisticated humanoid civilisations.
“Progressors have evolved past their propensity for violence, but have lost the knack of human connection”
Anton, an agent of Earth’s Institute of Experimental History, is sent to spy on the city of Arkanar on a far-flung Earth-like planet that is falling under the sway of Reba, the kingdom’s reactionary first minister. Palace coups, mass executions and a peasant war drive Anton from his initial position of professional indifference, first to depression, drunkenness and despair, then ultimately to a fiery and controversial commitment to Arkanar’s revolution.
It isn’t an expected turn of events, given that progressors like Anton are supposed to have evolved past their propensity for violence. But this isn’t the only problem that comes to light during Anton’s mission. The supposedly advanced humans also seem to have lost the knack of human connection.
Anton, portrayed by Edward Zentara, eventually comes to realise this for himself. “We were able to see everything that was happening in the world,” he tells an Arkanaran companion, breaking his own cover as he does so. “We saw all the misery, but couldn’t feel sympathy any more.”
Anton’s intense and horrifying experiences in Arkanar, where every street and rock outcrop has a dangling corpse as a warning from Reba, don’t only affect him. His mission is being watched from orbit by Earth’s other progressors, who struggle to learn from his example and make up for their shortcomings.
The overall message of the film is a serious one: virtue is something we have to strive for in our lives; goodness doesn’t always come naturally.
Comparable to Lynch’s Dune in its ambition, and far more articulate, Fleischmann’s upbeat but moving Hard to Be a God reminds us that sci-fi cinema in the 1980s set a very high bar indeed. We can only hope that this year’s TV epics and cinema sequels put as much effort into their stories as they do their production design and special effects.
Simon also recommends… More

By Sam Wong
StockFood/Scherer, Jim
ALL over the world, people use acid to preserve fruit and vegetables, creating the sour and delicious foods we call pickles. The microbes that spoil our food have a hard time growing if the pH is lower than 4.5, but we can eat foods with a pH as low as 2 (the lower the pH, the more acidic the substance).
Some pickles are made by salting vegetables or fruit, encouraging the growth of bacteria that produce lactic acid. These include kimchi, which I described in a previous issue (29 February 2020). A quicker and simpler way to make … More